Catalogues Raisonnés
"All the works of an artist". A documented collection of every work of an artist's career. Each work is pictured, with scholarly opinions, provenance, bibliography. A great first place to begin research, but not all artists have catalogues raisonnés.
Krasner, Lee, -- 1908-1984 -- Catalogues raisonnés.
Corpora
Like a catalogue raisonné, only for a single kind of object. Famous corpora are written for pottery, stain glass windows (Corpus Vitrirarum) and Florentine altarpieces (Offner).
The Image of the Black in Western Art
Permanent Holdings Catalogs (of museums)
Detailed catalogs of a period or genre of art in a particular museum. Like a catalogue raisonné, it will contain a collection of scholar's opinion on an object, conservation reports, provenance and literature (written about it). If you know of the location of a work of art, check for permanent holdings catalogs.
African American masters : highlights from the Smithsonian American Art Museum
Adapted from information created by Duke University Art Librarian Lee Sorenson.
Catalog of books, media, and other materials available in the Earlham Libraries. Also searches libraries worldwide through WorldCat.
British History 1815-1914
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This fully revised and updated edition of Norman McCord's authoritative introduction to nineteenth century British history has been extended to cover the period up to the outbreak of the First World War in 1914.The nineteenth and early twentieth century saw the transformation of Britain from a predominantly rural to a largely urban society with an economy based upon manufacturing, finance, and trade, and from a society governed mainly by a landed aristocracy to what was increasingly a mass democracy. The authors chart the development of a modern state equipped with a large and expanding bureaucracy, the expansion of overseas territories into one of the world's greatest empires, and changes in religion, social attitudes, and culture.The book divides the era into four chronological periods, with chapters on the political background, administrative development, and social, economic, and cultural changes in each period. Exploring major themes such as the massive increase in population, the question of class, the scope of state activity, and the development of consumerism, leisure, and entertainment, and including a select bibliography and biographical appendix, this updated new edition provides the ultimate introduction to British history between the end of the Napoleonic Wars and the outbreak of the First World War.
A Companion to 19th-Century America
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A Companion to 19th-Century America is an authoritative overview of current historiographical developments and major themes in the history of nineteenth-century America. Twenty-seven scholars, all specialists in their own thematic areas, examine the key debates and historiography. A thematic and chronological organization brings together the major time periods, politics, the Civil War, economy, and social and cultural history of the nineteenth century. Written with the general reader in mind, each essay surveys the historical research, the emerging concerns, and assesses the future direction of scholarship. Complete coverage of all the major themes and current debates in nineteenth-century US history assessing the state of the scholarship and future concerns. 24 original essays by leading experts in nineteenth-century American history complete with up-to-date bibliographies. Chronological and thematic organization covers both traditional and contemporary fields of research - politics, periods, economy, class formation, ethnicity, gender roles, regions, culture and ideas.
Journal articles, books, and images on the subjects of art, architecture, photography, and the decorative arts.
Scholarly journal articles, books, and primary sources in a wide variety of disciplines.
British Vision : observation and imagination in British art, 1750-1950
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"Show-stoppers from many private and regional galleries, mixing paintings, watercolors, books, sculptures and photographs." The Guardian"Stunning and constantly surprising. . . . Although it contains most of our great artists it is not a 'survey' so much as an unconventional, personal and thought-provoking take on British art, full of unexpected works and unfamiliar names, as well as familiar landmarks over 300 works gathered from collections all over the world." The SpectatorFrom the landscapes of Wilson and Constable to the visionary imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a beautifully illustrated survey of British art from 1750 to 1950. British Vision presents some of the most celebrated works in British art history, selected from public and private collections in Europe, Britain, and the United States by Robert Hoozee, drawing on the expertise of Andrew Dempsey, John Gage, Mark Haworth-Booth, and Timothy Hyman. Among the artists whose work appears in British Vision are William Hogarth, Thomas Gainsborough, George Stubbs, William Blake, Henry Fuseli, John Constable, J. M. W. Turner, Richard Dadd, Dante Gabriel Rossetti, Edward Burne-Jones, Stanley Spencer, Graham Sutherland, Francis Bacon, and Lucien Freud.Essays by a group of distinguished art historians focus on two defining characteristics of British art, observation and imagination, seen within the context of society, landscape, and the visionary. Together, they set forth important arguments about what makes British art recognizable, what gives it its typically "British" style, and how British artists have contributed to the history of art as a whole. This lavishly illustrated catalog is a sumptuous record of the most comprehensive exhibition of British art to be displayed in recent years, and represents a unique opportunity to discover the creative forces that shaped British art over two centuries."
Queer British Art
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Queer British Art is a timely survey of the seismic shifts in gender and sexuality that took place in Britain between the 1860s and the 1960s. In 1861, the death penalty was abolished for sodomy in Britain; in 1967, homosexuality was finally decriminalized. These events found expression across the arts as British transgressive identities, experiences, and desires. Ranging from the playful to the political, the explicit to the domestic, these works showcase gender experimentation among the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in 1960s Soho. Works by John Singer Sargent, Clare Atwood, Ethel Sands, Duncan Grant, John Minton, Angus McBean, David Hockney, and Francis Bacon are illustrated alongside ephemera, personal photographs, film, and magazines.
Points of View: capturing the 19th century in photographs
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From its earliest beginnings in the 1840s up to its democratization as a widespread leisure pursuit, photography was swept along by a tide of artistic and entrepreneurial activity that gathered pace throughout the nineteenth century. Both as an art form and a social document, the photograph quickly took on a critical role as the primary means of visual expression in the modern age. Points of View brings together, for the first time, a selection of images from the British Library's unique photography collections, examining the history, diversity, and influence of the medium from its invention and early years up until the coming of the twentieth century. Beginning with the work of William Henry Fox Talbot and including some of our most celebrated photographic pioneers--Francis Frith, Felix Teynard, Samuel Bourne, and Peter Henry Emerson among them--this volume focuses on the question Who was taking the photograph and why? Ultimately the answer is found in the rise of mass market interest, the increasing role of technology, and the emergence of this thrilling new discipline amid rapid scientific, social, and industrial progress.
Nineteenth-Century American Art
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This innovative introduction examines the profession of the nineteenth-century American artist and audience reception of their work. Works of art by familiar names such as Thomas Eakins and Winslow Homer are discussed in detail within the larger arena of visual culture, as are key works by recently discovered artists such as Harriet Hosmer. The thematic approach focuses on portraiture, landscape painting, the American West, and commemorative art, then goes on to examine the ways in which painters responded to major social and economic changes resulting from the rapid transformation from an agriculturally-based former colony to an industrialized imperial power with an evolving democracy.
America: the New World in 19th-century painting
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A specifically American form of art emerged in the 19th century. This is reflected in this selection of paintings by 30 artists .
Visualizing Equality: African American rights and visual culture in the nineteenth century
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The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
Full-text page images of the world's first completely-illustrated newspaper.
Full-text page images of the newspaper, including advertisements, editorial cartoons, etc. Coverage is from 1851 up to the past three years and includes the New York Times Book Review and the New York Times Magazine.
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