Zitkala-Sa
Red Bird Sings : The Story of Zitkala-Sa, Native American Author, Musician, and Activist by
Zitkala-Š̌̌̌a finds that she can sing through her music, but also by writing stories and giving speeches and being an activist for Native American rights.
Zitkala-S̈a : Letters, Speeches, and Unpublished Writings, 1898-1929 by 
Dreams and Thunder by
Zitkala-Sa (Red Bird) (1876-1938), also known as Gertrude Simmons Bonnin, was one of the best-known and most influential Native Americans of the twentieth century. Born on the Yankton Sioux Reservation, she remained true to her indigenous heritage as a student at the Boston Conservatory and a teacher at the Carlisle Indian School, as an activist in turn attacking the Carlisle School, as an artist celebrating Native stories and myths, and as an active member of the Society of American Indians in Washington DC. All these currents of Zitkala-Sa's rich life come together in this book, which presents her previously unpublished stories, rare poems, and the libretto of The Sun Dance Opera.
Dance in a Buffalo Skull by
A prowling wildcat finds a surprise in an old dried-up buffalo skull. A group of mice are dancing the night away and not paying attention to the dagers around them. Does the wildcat spell doom for the mice, or will they escape to safety? Dance in a Buffalo Skull is an American Indain tale of danger and survival on the Great Plains.
American Indian Stories by
Zitkala-Sa (Gertrude Bonnin) was one of the early Indian writers to record tribal legends and tales from oral tradition. Impressions of an Indian Childhood describes her first eight yeas on the Yankton Reservation, where she was born in 1876. Her schooling in Indiana revealed a gift for writing that led in 1901 to the publication of Old Indian Legends, also a Bison Book. For the rest of her rife, this Sioux was in the poignant but creative position of trying to bridge the gap between her own culture and the dominant white one, unable to return fully to the former or to enter fully into the latter. These pieces, largely autobiographical, were first collected and published in 1921. With their reissue, Zitkala-Sa takes her rightful place among such native interpreters of Sioux culture as Charles A. Eastman and Luther Standing Bear .
Old Indian Legends by
Early in the twentieth century, a Sioux woman named Zitkala-Sa published these fourteen Native legends that she had learned during her own childhood on the Yankton Reservation. Her writing talent, developed during her education back east, was put to good use in recording from oral tradition the exploits of Iktomi the trickster, Eya the glutton, the Dragon Fly, and other magical and mysterious figures, human and animal, known to the Sioux. Until her death in 1938, Zitkala-Sa stood between two cultures as preserver and translator.
American Indian biographies by
Contains biographical sketches, ranging in length from 300 to 3,000 words, on figures in North American Indian history, extending from the arrival of European colonists on North American shores to the early twenty-first century.
Conversations with Remarkable Native Americans by
This work is a collection of interviews with some of today's most important Native Americans. In these interviews, contextualized in a national and international sociopolitical perspective, the editor, a noted ethnohistorian brings to light major developments in the Native American experience over the last thirty years. Overcoming hardships they have experienced as a forgotten minority, often torn between two cultures, these native writers, artists, journalists, activists, lawyers, and museum administrators have each made contributions toward the transformation of old stereotypes, the fight against discrimination, and the sharing of their heritage with mainstream society. Theirs is a story not so much of success but of resilience, of survival, with each interview subject having marked their time and eventually becoming the change they wanted in the world. The conversations in this volume reveal that the assertion of ethnic identity does not lead to bitterness and isolation, but rather an enthusiasm and drive toward greater visibility and recognition that at the same time aims at a greater understanding between different cultures. This collection brings forth an understanding of the Native American Renaissance
Crazy Brave by
In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo, one of our leading Native American voices, details her journey to becoming a poet. Born in Oklahoma, the end place of the Trail of Tears, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. She attended an Indian arts boarding school, where she nourished an appreciation for painting, music, and poetry; gave birth while still a teenager; and struggled on her own as a single mother, eventually finding her poetic voice. Narrating the complexities of betrayal and love, Crazy Brave is a memoir about family and the breaking apart necessary in finding a voice. Harjo's tale of a hardscrabble youth, young adulthood, and transformation into an award-winning poet and musician is haunting, unique, and visionary.
Dog Flowers by
A daughter returns home to the Navajo reservation to retrace her mother's life in a memoir that is both a narrative and an archive of one family's troubled history. "A candid and achingly fractured memoir of [Geller's] mother, her family, her Navajo heritage and her own journey to self-discovery and acceptance."--Ms. SHORTLISTED FOR: The Hubert Evans Non-Fiction Prize, The Jim Deva Prize for Writing That Provokes * ONE OF THE BEST BOOKS OF THE YEAR: Esquire, She Reads When Danielle Geller's mother dies of alcohol withdrawal during an attempt to get sober, Geller returns to Florida and finds her mother's life packed into eight suitcases. Most were filled with clothes, except for the last one, which contained diaries, photos, and letters, a few undeveloped disposable cameras, dried sage, jewelry, and the bandana her mother wore on days she skipped a hair wash. Geller, an archivist and a writer, uses these pieces of her mother's life to try and understand her mother's relationship to home, and their shared need to leave it. Geller embarks on a journey where she confronts her family's history and the decisions that she herself had been forced to make while growing up, a journey that will end at her mother's home: the Navajo reservation. Dog Flowers is an arresting, photo-lingual memoir that masterfully weaves together images and text to examine mothers and mothering, sisters and caretaking, and colonized bodies. Exploring loss and inheritance, beauty and balance, Danielle Geller pays homage to our pasts, traditions, and heritage, to the families we are given and the families we choose.
Heart Berries by
Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father―an abusive drunk and a brilliant artist―who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame. Mailhot trusts the reader to understand that memory isn't exact, but melded to imagination, pain, and what we can bring ourselves to accept. Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story, and, in so doing, reestablishes her connection to her family, to her people, and to her place in the world.
I am where I come from : Native American college students and graduates tell their life stories by
The organizing principle for this anthology is the common Native American heritage of its authors; and yet that thread proves to be the most tenuous of all, as the experience of indigeneity differs radically for each of them. While many experience a centripetal pull toward a cohesive Indian experience, the indications throughout these essays lean toward a richer, more illustrative panorama of difference. What tends to bind them together are not cultural practices or spiritual attitudes per se, but rather circumstances that have no exclusive province in Indian country: that is, first and foremost, poverty, and its attendant symptoms of violence, substance abuse, and both physical and mental illness ... Education plays a critical role in such lives: many of the authors recall adoring school as young people, as it constituted a place of escape and a rare opportunity to thrive ... While many of the writers do return to their tribal communities after graduation, ideas about 'home' become more malleable and complicated."--The IntroductionI Am Where I Come From presents the autobiographies of thirteen Native American undergraduates and graduates of Dartmouth College, ten of them current and recent students. Twenty years ago, Cornell University Press published First Person, First Peoples: Native American College Graduates Tell Their Life Stories, also about the experiences of Native American students at Dartmouth College. I Am Where I Come From addresses similar themes and experiences, but it is very much a new book for a new generation of college students. Three of the essays from the earlier book are gathered into a section titled "Continuing Education," each followed by a shorter reflection from the author on his or her experience since writing the original essay. All three have changed jobs multiple times, returned to school for advanced degrees, started and increased their families, and, along the way, continuously revised and refined what it means to be Indian. The autobiographies contained in I Am Where I Come From explore issues of native identity, adjustment to the college environment, cultural and familial influences, and academic and career aspirations. The memoirs are notable for their eloquence and bravery.
Lewis & Clark and the Indian country : the Native American perspective by
Lewis and Clark and the Indian Country broadens the scope of conventional study of the Lewis and Clark expedition to include Native American perspectives. Frederick E. Hoxie and Jay T. Nelson present the expedition's long-term impact on the "Indian Country" and its residents through compelling interviews conducted with Native Americans over the past two centuries, secondary literature, Lewis and Clark travel journals, and other primary sources from the Newberry Library's exhibit Lewis and Clark and the Indian Country. Rich stories of Native Americans, travelers, ranchers, Columbia River fur traders, teachers, and missionaries--often in conflict with each other--illustrate complex interactions between settlers and tribal people. Environmental protection issues and the preservation of Native language, education, and culture dominate late twentieth-century discussions, while early accounts document important Native American alliances with Lewis and Clark. In widening the reader's interpretive lens to include many perspectives, this collection reaches beyond individual achievement to appreciate America's plural past. -- From publisher description.
The Life and Writings of Betsey Chamberlain : Native American Mill Worker by
Annotation During the 1830s and 1840s, Betsey Guppy Chamberlain (1797-1886), a mixed-race writer of English and Algonkian heritage, labored in the textile mills of Lowell, Massachusetts, where she penned colorful stories and sketches for two workers' magazines -- the Lowell Offering and The New England Offering. A courageous and pioneering author, Chamberlain wrote the earliest known Native American fiction and published some of the earliest prose to challenge the persecution of Native people and affirm their dignity and worth. The life and works of this remarkable and multi-faceted woman are now recovered from obscurity in this volume, which collects for the first time thirty-four of Chamberlain's richly varied contributions. Organized in three thematic sections (Native Tales and Dream Visions; "The Unprivileged Sex": Women's Concerns; and Village Sketches), the captivating writings range from humorous autobiographical sketches of New England life to protest pieces that raise
One Native life by
One Native Life is a look back down the road Wagamese has travelled. It's about the things he's learned as a human being, a man and an Ojibway in his fifty-two years on the planet. Whether he's writing about making bannock, playing baseball, listening to the wind, meeting Johnny Cash or running away with the circus, these are stories told in a healing spirit. This is a book about roots: uncovering them, tending them, watching life spring up all around you. It is also a book about Canada. Acceptance is an Aboriginal principle, and Wagamese has come to see that we are all neighbours here. Once we understand that, he says, we realize it's all one great, grand tale
Reclaiming Diné History by
In this groundbreaking book, the first Navajo to earn a doctorate in history seeks to rewrite Navajo history. Reared on the Navajo Nation in New Mexico and Arizona, Jennifer Nez Denetdale is the great-great-great-granddaughter of a well-known Navajo chief, Manuelito (1816-1894), and his nearly unknown wife, Juanita (1845-1910). Stimulated in part by seeing photographs of these ancestors, she began to explore her family history as a way of examining broader issues in Navajo historiography. Here she presents a thought-provoking examination of the construction of the history of the Navajo people (Diné, in the Navajo language) that underlines the dichotomy between Navajo and non-Navajo perspectives on the Diné past. Reclaiming Diné History has two primary objectives. First, Denetdale interrogates histories that privilege Manuelito and marginalize Juanita in order to demonstrate some of the ways that writing about the Diné has been biased by non-Navajo views of assimilation and gender. Second, she reveals how Navajo narratives, including oral histories and stories kept by matrilineal clans, serve as vehicles to convey Navajo beliefs and values. By scrutinizing stories about Juanita, she both underscores the centrality of women's roles in Navajo society and illustrates how oral tradition has been used to organize social units, connect Navajos to the land, and interpret the past. She argues that these same stories, read with an awareness of Navajo creation narratives, reveal previously unrecognized Navajo perspectives on the past. And she contends that a similarly culture-sensitive re-viewing of the Diné can lead to the production of a Navajo-centered history.
Sitting Bull : Lakota Tribal Chief and Leader of Native American Resistance by
Shares the life of the Lakota chief, describing his early life, clashes with settlers, and role in the Battle of Little Bighorn. --Publisher
Telling a good one : the process of a Native American collaborative biography by
Telling a Good One is the first comprehensive examination of the collaborative process that creates a Native American life story. Kathleen Mullen Sands draws on her partnership with the late Theodore Rios, a Tohono O'odham (formerly Papago) narrator, to address crucial issues surrounding the inscribing of a life story. Sands examines the creative, critical, and cultural processes behind this increasingly popular mode of self-expression. The impetus, initial negotiations, interview process, narrative content and style, and the editing and interpretation phases of a Native American life story are all given equal scrutiny. Of particular interest are Sands's successes and failings as a collaborator and the influence of Tohono O'odham culture and its tradition of storytelling on Rios's actions and words. Sands examines the effects of her personal background and academic training on her actions and decisions, how her experiences compare with other collaborative autobiographies and biographies, and the role of academia and publishers in shaping expectations about the content and format of Native American biographies and autobiographies.
Walter Harper, Alaska Native Son by 
You Don't Have to Say You Love Me by
A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian. Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth. She selflessly cared for strangers, but was often incapable of showering her children with the affection that they so desperately craved. She wanted a better life for her son, but it was only by leaving her behind that he could hope to achieve it. It's these contradictions that made Lillian Alexie a beautiful, mercurial, abusive, intelligent, complicated, and very human woman. When she passed away, the incongruities that defined his mother shook Sherman and his remembrance of her. Grappling with the haunting ghosts of the past in the wake of loss, he responded the only way he knew how: he wrote. The result is a stunning memoir filled with raw, angry, funny, profane, tender memories of a childhood few can imagine, much less survive. An unflinching and unforgettable remembrance, You Don't Have to Say You Love Me is a powerful, deeply felt account of a complicated relationship.
The Absolutely True Diary of a Part-Time Indian by
Budding cartoonist Junior leaves his troubled school on the Spokane Indian Reservation to attend an all-white farm town school where the only other Indian is the school mascot
Awâsis: Kinky and Dishevelled by
Winner of the 2022 SK Arts Poetry Award Honouring Anne Szumigalski * 2022 High Plains Book Awards Finalist * 2022 Raymond Souster Award Shortlist * 2022 Pat Lowther Memorial Award Longlist * 2022/2023 First Nation Communities Read Awards Longlist A gender-fluid trickster character leaps from Cree stories to inhabit this racous and rebellious new work by award-winning poet Louise Bernice Halfe. There are no pronouns in Cree for gender; awâsis (which means illuminated child) reveals herself through shape-shifting, adopting different genders, exploring the English language with merriment, and sharing his journey of mishaps with humor, mystery, and spirituality. Opening with a joyful and intimate Introduction from Elder Maria Campbell, awâsis -- kinky and dishevelled is a force of Indigenous resurgence, resistance, and soul-healing laughter. If you've read Halfe's previous books, prepared to be surprised by this one. Raging in the dark, uncovering the painful facts wrought on her and her people's lives by colonialism, racism, religion, and residential schools, she has walked us through raw realities with unabashed courage and intense, precise lyricism. But for her fifth book, another choice presented itself. Would she carve her way with determined ferocity into the still-powerful destructive forces of colonialism, despite Canada's official, hollow promises to make things better? After a soul-searching Truth and Reconciliation process, the drinking water still hasn't improved, and Louise began to wonder whether inspiration had deserted her. Then awâsis showed up--a trickster, teacher, healer, wheeler-dealer, shapeshifter, woman, man, nuisance, inspiration. A Holy Fool with their fly open, speaking Cree, awâsis came to Louise out of the ancient stories of her people, her Elders, from community input (through tears and laughter), from her own full heart and her three-dimensional dreams. Following awâsis's lead, Louise has flipped her blanket over, revealing a joking, mischievous, unapologetic alter ego--right on time.
Ceremony by
This story, set on an Indian reservation just after World War II, concerns the return home of a war-weary Laguna Pueblo young man. Tayo, a young Native American, has been a prisoner of the Japanese during World War II, and the horrors of captivity have almost eroded his will to survive. His return to the Laguna Pueblo reservation only increases his feeling of estrangement and alienation. While other returning soldiers find easy refuge in alcohol and senseless violence, Tayo searches for another kind of comfort and resolution. Tayo's quest leads him back to the Indian past and its traditions, to beliefs about witchcraft and evil, and to the ancient stories of his people. The search itself becomes a ritual, a curative ceremony that defeats the most virulent of afflictions-despair. "Demanding but confident and beautifully written" (Boston Globe), this is the story of a young Native American returning to his reservation after surviving the horrors of captivity as a prisoner of the Japanese during World War II. Drawn to his Indian past and its traditions, his search for comfort and resolution becomes a ritual--a curative ceremony that defeats his despair
Chasing Painted Horses by
When Ralph Thomas comes across graffiti of a horse in an alleyway in the early hours of the morning, he is stopped in his tracks. He recognizes this horse. A half-asleep Indigenous homeless man sees Ralph's reaction to the horse and calls out to him. Over the course of a morning's worth of hot coffee on a bitterly cold day, Ralph and the homeless man talk and Ralph remembers a troubling moment from his childhood when an odd little girl, Danielle, drew the most beautiful and intriguing horse on his mother's Everything Wall, winning the competition set up for children on the Otter Lake Reserve. Ralph has lived with many questions that arose from his eleventh winter. What did the horse mean -- to him, his sister, his best friend, and, most importantly, the girl who drew it? These questions have never left him. Chasing Painted Horseshas a magical, fablelike quality that will enchant readers, and haunt them, for years to come.
A Council of Dolls by
The long-awaited, profoundly moving, and unforgettable new novel from PEN Award-winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day. From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried.... Sissy, born 1961: Sissy's relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy's ear, and in one especially terrifying moment, maybe even saves Sissy's life. Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an "Indian school" far from their home, Blanche refuses to be cowed by the school's abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls. Cora, born 1888: Though she was born into the brutal legacy of the "Indian Wars," Cora isn't afraid of the white men who remove her to a school across the country to be "civilized." When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost... A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.
Empire of Wild by
A bold and brilliant new indigenous voice in contemporary literature makes her American debut with this kinetic, imaginative, and sensuous fable inspired by the traditional Canadian Métis legend of the Rogarou--a werewolf-like creature that haunts the roads and woods of native people's communities. Joan has been searching for her missing husband, Victor, for nearly a year--ever since that terrible night they'd had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways . . . until they have to. That moment has arrived for Joan. One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor. Drawn inside, she sees him. He has the same face, the same eyes, the same hands, though his hair is much shorter and he's wearing a suit. But he doesn't seem to recognize Joan at all. He insists his name is Eugene Wolff, and that he is a reverend whose mission is to spread the word of Jesus and grow His flock. Yet Joan suspects there is something dark and terrifying within this charismatic preacher who professes to be a man of God . . . something old and very dangerous. Joan turns to Ajean, an elderly foul-mouthed card shark who is one of the few among her community steeped in the traditions of her people and knowledgeable about their ancient enemies. With the help of the old Métis and her peculiar Johnny-Cash-loving, twelve-year-old nephew Zeus, Joan must find a way to uncover the truth and remind Reverend Wolff who he really is . . . if he really is. Her life, and those of everyone she loves, depends upon it.
Flight : A Novel by
Flight follows a troubled foster teenager--a boy who is not a "legal" Indian because he was never claimed by his father. The journey begins as he's about to commit a massive act of violence. At the moment of decision, he finds himself shot back through time to resurface in the body of an FBI agent during the civil rights era, where he sees why "Hell is Red River, Idaho, in the 1970s." Red River is only the first stop in an eye-opening trip through moments in American history. He will continue traveling back to inhabit the body of an Indian child during the battle at Little Bighorn and then ride with an Indian tracker in the nineteenth century before materializing as an airline pilot jetting through the skies today. During these furious travels through time, his refrain grows: "Who's to judge?" and "I don't understand humans."
House Made of Dawn by
House Made of Dawn, which won the Pulitzer Prize in 1969, tells the story of a young American Indian named Abel, home from a foreign war and caught between two worlds: one his father's, wedding him to the rhythm of the seasons and the harsh beauty of the land; the other of industrial America, a goading him into a compulsive cycle of dissipation and disgust.
Jonny Appleseed by
A tour-de-force debut novel about a Two-Spirit Indigiqueer young man and proud NDN glitter princess who must reckon with his past when he returns home to his reserve. "You're gonna need a rock and a whole lotta medicine" is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer, repeats to himself in this vivid and utterly compelling debut novel by poet Joshua Whitehead. Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez"--and his former life--to attend the funeral of his stepfather. The seven days that follow are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's life is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of First Nations life, full of grit, glitter, and dreams.
Moon of the Crusted Snow by
With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the council and community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader, they endeavour to restore order while grappling with a grave decision.
Motorcycles and Sweetgrass by
Otter Lake is a sleepy Anishnawbe community where little happens. Maggie, the Reserve's chief, has been struggling with her responsibilities in the community and as a mother to her aloof teenage son, Virgil, after the death of her own mother and the loss of their last connection the old ways of life. Then John, a mysterious white man, pulls up astride a 1953 Indian Chief motorcycle and turns Otter Lake upside down. Maggie gets swept away, but Virgil is less than enchanted. Suspicious of the stranger's intentions, Virgil teams up with his uncle Wayne - a master of aboriginal martial arts - to drive the stranger from the Reserve.
Native Storiers : Five Selections by
Gerald Vizenor presents in this anthology some of the best contemporary Native American Indian authors writing today. The five books from which these excerpts are drawn are published in the University of Nebraska Press's Native Storiers series.
The Night Watchman by
Based on the extraordinary life of National Book Award-winning author Louise Erdrich's grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman. Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new "emancipation" bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn't about freedom; Congress is fed up with Indians. The bill is a "termination" that threatens the rights of Native Americans to their land and their very identity. How can the government abandon treaties made in good faith with Native Americans "for as long as the grasses shall grow, and the rivers run"? Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. Patrice's shameful alcoholic father returns home sporadically to terrorize his wife and children and bully her for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn't been in touch in months, and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life. Thomas and Patrice live in this impoverished reservation community along with young Chippewa boxer Wood Mountain and his mother Juggie Blue, her niece and Patrice's best friend Valentine, and Stack Barnes, the white high school math teacher and boxing coach who is hopelessly in love with Patrice. In the Night Watchman, Louise Erdrich creates a fictional world populated with memorable characters who are forced to grapple with the worst and best impulses of human nature. Illuminating the loves and lives, the desires and ambitions of these characters with compassion, wit, and intelligence, The Night Watchman is a majestic work of fiction from this revered cultural treasure.
The Old American : A Novel by
Set in New England and Canada during the French and Indian Wars; driven by its complex character, Caucus-Meteor. By turns shrewd and embittered, ambitious and despairing, inspired and tormented, he is the self-styled 'king' of the remnants of the first native tribes that encountered the English. Displaced and ravaged by disease, these refugees have been forced to bargain for land in Canada on which to live. Having hired himself out as interpreter to a raiding party of French and Iroquois, Caucus-Meteor returns from New Hampshire the unexpected possessor of a captive, Nathan Blake."--Jacket.
The Removed by
"A haunted work, full of voices old and new. It is about a family's reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family's way home is full--in equal measure--of melancholy and love." --Tommy Orange, author of There There A RECOMMENDED BOOK FROM USA Today * O, the Oprah Magazine * Entertainment Weekly * TIME * Harper's Bazaar * Buzzfeed * Washington Post * Elle * Parade * San Francisco Chronicle * Good Housekeeping * Vulture * Refinery29 * AARP * Kirkus * PopSugar * Alma * Woman's Day * Chicago Review of Books * The Millions * Biblio Lifestyle * Library Journal * Publishers Weekly * LitHub Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago--from National Book Award finalist Brandon Hobson In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family's annual bonfire approaching--an occasion marking both the Cherokee National Holiday and Ray-Ray's death, and a rare moment in which they openly talk about his memory--Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest's mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite--or perhaps because of--his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo. Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma--a meditation on family, grief, home, and the power of stories on both a personal and ancestral level. "The Removed is a marvel. With a few sly gestures, a humble array of piercingly real characters and an apparently effortless swing into the dire dreamlife, Brandon Hobson delivers an act of regeneration and solace. You won't forget it." --Jonathan Lethem, author of The Feral Detective
Scalping Columbus and Other Damn Indian Stories by
Adam Fortunate Eagle has been called many things: social activist, serious joke medicine, contrary warrior, national treasure, enemy of the state, living history. Characterizing his style as "Fortunate Eagle meets Mark Twain, Indian style," the author relates the traditions, joys, and frustrations of his own Native American experience in tones ranging from "gut-busting laughter to pissed-off anger." Leading the reader through time and space, Fortunate Eagle uses his own history--as a child in an Ojibwe community and later as a civil rights leader who, among other achievements, helped organize the takeovers of Alcatraz in 1964 and 1969--to recount the experience of modern Native peoples. The tradition of oral storytelling shines through his language and in his thoughtful and humorous juxtapositions. In the story for which the book is named, Fortunate Eagle journeys to Italy to "discover" the land and claim it in protest of Columbus Day. Wearing a traditional beaded buckskin outfit, complete with scalps hanging from his belt, he meets with the pope. Afterward, suffering from what he calls "the Pope's Revenge," he is forced to spend two days in or near a bathroom. Beginning with a foreword "written" by Sitting Bull, and traveling from moose encounters in Minnesota to the Spanish Steps in Rome, this book reminds readers of the wisdom of elders, the cross-cultural confusion of Native-white encounters, and some of the most difficult issues faced by contemporary Native peoples. Falling somewhere between fact and fiction, the tales in Scalping Columbus and Other Stories combine outrageous comedy with clever social commentary, managing both to entertain and to enlighten.
The Sentence by
Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors. Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
Split Tooth by
A girl grows up in Nunavut in the 1970s. She knows joy and love. She knows boredom and bullying. She knows the tedium of the everyday and the seductive energy of the animal world. She knows the ravages of alcohol and violence. When she becomes pregnant, she must navigate all this. Veering between the grittiest features of a small arctic town, the electrifying proximity of the animal world and the ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, real and imagined lose their meaning, but the guiding power of love remains.
There There by
Not since Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Louise Erdrich's Love Medicine has such a powerful and urgent Native American voice exploded onto the landscape of contemporary fiction. Tommy Orange's There There introduces a brilliant new author at the start of a major career. "We all came to the powwow for different reasons. The messy, dangling threads of our lives got pulled into a braid--tied to the back of everything we'd been doing all along to get us here. There will be death and playing dead, there will be screams and unbearable silences, forever-silences, and a kind of time-travel, at the moment the gunshots start, when we look around and see ourselves as we are, in our regalia, and something in our blood will recoil then boil hot enough to burn through time and place and memory. We'll go back to where we came from, when we were people running from bullets at the end of that old world. The tragedy of it all will be unspeakable, that we've been fighting for decades to be recognized as a present-tense people, modern and relevant, only to die in the grass wearing feathers." Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame in Oakland. Dene Oxendene is pulling his life together after his uncle's death and has come to work the powwow and to honor his uncle's memory. Edwin Frank has come to find his true father. Bobby Big Medicine has come to drum the Grand Entry. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather; Orvil has taught himself Indian dance through YouTube videos, and he has come to the Big Oakland Powwow to dance in public for the very first time. Tony Loneman is a young Native American boy whose future seems destined to be as bleak as his past, and he has come to the Powwow with darker intentions--intentions that will destroy the lives of everyone in his path. Fierce, angry, funny, groundbreaking--Tommy Orange's first novel is a wondrous and shattering portrait of an America few of us have ever seen. There There is a multi-generational, relentlessly paced story about violence and recovery, hope and loss, identity and power, dislocation and communion, and the beauty and despair woven into the history of a nation and its people. A glorious, unforgettable debut"-- Provided by publisher.
This Tender Land : A Novel by
1932, Minnesota. The Lincoln School is a pitiless place where hundreds of Native American children, forcibly separated from their parents, are sent to be educated. It is also home to an orphan named Odie O'Banion, a lively boy whose exploits earn him the superintendent's wrath. Forced to flee, he and his brother Albert, their best friend Mose, and a little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own. Over the course of one unforgettable summer, these four orphans will journey into the unknown and cross paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds. -- adapted from jacket
This Town Sleeps by
On an Ojibwe reservation called Languille Lake, within the small town of Geshig at the hub of the rez, two men enter into a secret romance. Marion Lafournier, a midtwenties gay Ojibwe man, begins a relationship with his former classmate Shannon, a heavily closeted white man. While Marion is far more open about his sexuality, neither is immune to the realities of the lives of gay men in small towns and closed societies. Then one night, while roaming the dark streets of Geshig, Marion unknowingly brings to life the spirit of a dog from beneath the elementary school playground. The mysterious revenant leads him to the grave of Kayden Kelliher, an Ojibwe basketball star who was murdered at the age of seventeen and whose presence still lingers in the memories of the townsfolk. While investigating the fallen hero's death, Marion discovers family connections and an old Ojibwe legend that may be the secret to unraveling the mystery he has found himself in.
Through Black Spruce by
A haunting novel about identity, love, and loss by the author of Three Day Road Will Bird is a legendary Cree bush pilot, now lying in a coma in a hospital in his hometown of Moose Factory, Ontario. His niece Annie Bird, beautiful and self-reliant, has returned from her own perilous journey to sit beside his bed. Broken in different ways, the two take silent communion in their unspoken kinship, and the story that unfolds is rife with heartbreak, fierce love, ancient blood feuds, mysterious disappearances, fires, plane crashes, murders, and the bonds that hold a family, and a people, together. As Will and Annie reveal their secretsthe tragic betrayal that cost Will his family, Annies desperate search for her missing sister, the famous model Suzannea remarkable saga of resilience and destiny takes shape. From the dangerous bush country of upper Canada to the drug-fueled glamour of the Manhattan club scene, Joseph Boyden tracks his characters with a keen eye for the telling detail and a rare empathy for the empty places concealed within the heart. Sure to appeal to readers of Louise Erdrich and Jim Harrison, Through Black Spruceestablishes Boyden as a writer of startling originality and uncommon power.
When Two Feathers Fell from the Sky by
Louise Erdrich meets Karen Russell in this deliciously strange and daringly original novel from Pulitzer Prize finalist Margaret Verble: set in 1926 Nashville, it follows a death-defying young Cherokee horse-diver who, with her companions from the Glendale Park Zoo, must get to the bottom of a mystery that spans centuries. Two Feathers, a young Cherokee horse-diver on loan to Glendale Park Zoo from a Wild West show, is determined to find her own way in the world. Two's closest friend at Glendale is Hank Crawford, who loves horses almost as much as she does. He is part of a high-achieving, land-owning Black family. Neither Two nor Hank fit easily into the highly segregated society of 1920s Nashville. When disaster strikes during one of Two's shows, strange things start to happen at the park. Vestiges of the ancient past begin to surface, apparitions appear, and then the hippo falls mysteriously ill. At the same time, Two dodges her unsettling, lurking admirer and bonds with Clive, Glendale's zookeeper and a World War I veteran, who is haunted--literally--by horrific memories of war. To get to the bottom of it, an eclectic cast of park performers, employees, and even the wealthy stakeholders must come together, making When Two Feathers Fell from the Sky an unforgettable and irresistible tale of exotic animals, lingering spirits, and unexpected friendship.
Winter Counts by
A groundbreaking thriller about a vigilante on a Native American reservation who embarks on a dangerous mission to track down the source of a heroin influx. Virgil Wounded Horse is the local enforcer on the Rosebud Indian Reservation in South Dakota. When justice is denied by the American legal system or the tribal council, Virgil is hired to deliver his own punishment, the kind that's hard to forget. But when heroin makes its way into the reservation and finds Virgil's nephew, his vigilantism suddenly becomes personal. He enlists the help of his ex-girlfriend and sets out to learn where the drugs are coming from, and how to make them stop. They follow a lead to Denver and find that drug cartels are rapidly expanding and forming new and terrifying alliances. And back on the reservation, a new tribal council initiative raises uncomfortable questions about money and power. As Virgil starts to link the pieces together, he must face his own demons and reclaim his Native identity. He realizes that being a Native American in the twenty-first century comes at an incredible cost. Winter Counts is a tour-de-force of crime fiction, a bracingly honest look at a long-ignored part of American life, and a twisting, turning story that's as deeply rendered as it is thrilling.
Winter in the Blood by
During his life, James Welch came to be regarded as a master of American prose, and his first novel, Winter in the Blood, is one of his most enduring works. The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by personal tragedy, the dissolution of his once proud heritage, and Montana's vast emptiness. Winter in the Blood is an evocative and unforgettable work of literature that will continue to move and inspire anyone who encounters it. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Apple by
How about a book that makes you barge into your boss's office to read a page of poetry from? That you dream of? That every movie, song, book, moment that follows continues to evoke in some way? The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.
The Colonial Construction of Indian Country by
In The Colonial Construction of Indian Country, Eric Cheyfitz mounts a pointed historical critique of colonialism through careful analysis of the dialogue between Native American literatures and federal Indian law. Illuminating how these literatures indict colonial practices, he argues that if the decolonization of Indian country is to be achieved, then federal Indian law must be erased and replaced with independent Native nation sovereignty--because subordinate sovereignty, the historical regime, is not sovereignty at all. At the same time, Cheyfitz argues that Native American literatures, specifically U.S. American Indian literatures, cannot be fully understood without a knowledge of U.S. federal Indian law: the matrix of colonialism in Indian country. Providing intersectional readings of a range of literary and legal texts, he discusses such authors as Louise Erdrich, Frances Washburn, James Welch, Gerald Vizenor, Simon Ortiz, Leslie Marmon Silko, and others. Cheyfitz examines how American Indian writers and critics have responded to the impact of law on Native life, revealing recent trends in Native writing that build upon traditional modes of storytelling and governance. With a focus on resistance to the colonial regime of federal Indian law, The Colonial Construction of Indian Country not only elucidates how Native American literatures and federal Indian law are each crucial to any reading of the other, it also guides readers to better understand the genocidal assault on Indigenous peoples by Western structures of literacy, politics, and law.
Finding Right Relations by
Quakers were one of the early settler colonist groups to invade northeastern North America. William Penn set out to develop a "Holy Experiment," or utopian colony, in what is now Pennsylvania. Here, he thought, his settler colonists would live in harmony with the Indigenous Lenape and other settler colonists. Centering on the relationship between Quaker colonists and the Lenape people, Finding Right Relations explores the contradictory position of the Quakers as both egalitarian, pacifist people, and as settler colonists. This book explores major challenges to Quaker beliefs and resulting relations with American Indians from the mid-seventeenth century to the late nineteenth century. It shows how the Quakers not only failed to prevent settler colonial violence against American Indians but also perpetuated it. It provides historical examples such as the French and Indian War, the massacre of the Conestoga Indians, and the American Indian boarding schools to explore the power of colonialism to corrupt even those colonists with a belief system rooted in social justice. While this truth rubs against Quaker identity as pacifists and socially conscious, justice-minded people, the authors address how facing these truths provide ways forward for achieving restitution for the harms of the past. This book offers a path to truth telling that is essential to the healing process.
Mi'Kmaq and Maliseet Cultural and Ancestral Material by
Mi'kmaq and Maliseet Cultural Ancestral Material has been designed to provide images and basic information on Mi'kmaq and Maliseet artifacts held in the collections of the Canadian Museum of Civilization. Drawing on objects collected, sold, or donated between 1841 and the present day, this publication provides a fascinating look at the richness of Mi'kmaq and Maliseet cultural practice, technological ingenuity, and artistic expression. Objects such as baskets, canoes, clothing, moccasins, and tools are illustrated with a color photograph and accompanied by a brief text describing the object and its provenance. The result is a comprehensive reference tool for Native peoples, researchers, and educators.
Mni Wiconi/Water Is Life by
A timely and comprehensive look at the protests at Standing Rock. Viewing Mni Wiconi (Sacred Water of Life) and the No Dakota Access Movement as an isolated happening without acknowledging historical, cultural, and systematic circumstances leading up to it makes no sense. We cannot erase this past nor change it. In order to move forward in a better way, however, we must acknowledge the truthful foundation and recurring practices complicating what to some feel like isolated incidences. The pervasive and growing presence of extreme economic inequality in America is a worsening condition. Few situations reveal this inequality more than the conditions that Native Americans live under within their own homeland.This book raises awareness of Water Protectors for those who were not at Standing Rock and honoring those who were, through experiences at the Oceti Sakowin Camp, the indigenous-led resistance movement by the Standing Rock Sioux Tribe against the Energy Transfer Partners project to build the Dakota Access Pipeline on sacred land. The goal is to acknowledge and better understand the dedication of the Water Protectors, as they chose to be called, standing up for the health of Mni Wiconi and so many other related causes for the seven generations representing the past, present, and future health of all.People throughout the world, including members from between 240-300 indigenous tribes, were attracted to the cause and came to Standing Rock in full support of the protests. Even American military veterans, distressed by what they saw, came by the thousands determined to stand between the Water Protectors and police in defense of the rights for non-violent expression of resistance.The book's powerful photographs by John Willis are complimented by many Lakota voices and those of other allies through interviews, poetry, Lakota artwork, music through a downloadable CD, and historical ephemera. And essays by Terry Tempest Williams and Shaunna Oteka-McCovey provide new insights into age-old problems facing native people.
Mohawk Interruptus by
Mohawk Interruptus is a bold challenge to dominant thinking in the fields of Native studies and anthropology. Combining political theory with ethnographic research among the Mohawks of Kahnawà:ke, a reserve community in what is now southwestern Quebec, Audra Simpson examines their struggles to articulate and maintain political sovereignty through centuries of settler colonialism. The Kahnawà:ke Mohawks are part of the Haudenosaunee or Iroquois Confederacy. Like many Iroquois peoples, they insist on the integrity of Haudenosaunee governance and refuse American or Canadian citizenship. Audra Simpson thinks through this politics of refusal, which stands in stark contrast to the politics of cultural recognition. Tracing the implications of refusal, Simpson argues that one sovereign political order can exist nested within a sovereign state, albeit with enormous tension around issues of jurisdiction and legitimacy. Finally, Simpson critiques anthropologists and political scientists, whom, she argues, have too readily accepted the assumption that the colonial project is complete. Belying that notion, Mohawk Interruptus calls for and demonstrates more robust and evenhanded forms of inquiry into indigenous politics in the teeth of settler governance.
Native by
Native is about identity, soul-searching, and the never-ending journey of finding ourselves and finding God. As both a citizen of the Potawatomi Nation and a Christian, Kaitlin Curtice offers a unique perspective on these topics. In this book, she shows how reconnecting with her Potawatomi identity both informs and challenges her faith.Curtice draws on her personal journey, poetry, imagery, and stories of the Potawatomi people to address themes at the forefront of today's discussions of faith and culture in a positive and constructive way. She encourages us to embrace our own origins and to share and listen to each other's stories so we can build a more inclusive and diverse future. Each of our stories matters for the church to be truly whole. As Curtice shares what it means to experience her faith through the lens of her Indigenous heritage, she reveals that a vibrant spirituality has its origins in identity, belonging, and a sense of place.
Never Whistle at Night by
A bold, clever, and sublimely sinister collection that dares to ask the question: "Are you ready to be un-settled?" Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai'po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear--and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples' survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.
#NotYourPrincess : voices of Native American women by
Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous women across North America resound in this book. #Not Your Princess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, humiliation, and stereotyping are countered by the voices of passionate women making themselves heard and demanding change. Sometimes angry, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have been virtually invisible."-- Provided by publisher.
One Drum by
"The most profound truth in the universe is this: that we are all one drum and we need each other." --Richard Wagamese, One Drum Fans of Richard Wagamese's writing will be heartened by the news that the bestselling author left behind a manuscript he'd been working on until shortly before his death in 2017. One Drum welcomes readers to unite in ceremony to heal themselves and bring harmony to their lives and communities. In One Drum, Wagamese wrote, "I am not a shaman. Nor am I an elder, a pipe carrier, or a celebrated traditionalist. I am merely one who has trudged the same path many of this human family has--the path of the seeker, called forward by a yearning I have not always understood." One Drum draws from the foundational teachings of Ojibway tradition, the Grandfather Teachings. Focusing specifically on the lessons of humility, respect and courage, the volume contains simple ceremonies that anyone anywhere can do, alone or in a group, to foster harmony and connection. Wagamese believed that there is a shaman in each of us, and we are all teachers and in the world of the spirit there is no right way or wrong way. Writing of neglect, abuse and loss of identity, Wagamese recalled living on the street, going to jail, drinking too much, feeling rootless and afraid, and then the feeling of hope he gained from connecting with the spiritual ways of his people. He expressed the belief that ceremony has the power to unify and to heal for people of all backgrounds. "When that happens," he wrote, "we truly become one song and one drum beating together in a common purpose--and we are on the path to being healed."
Our War Paint Is Writers' Ink by
For the Anishinaabeg--the indigenous peoples of the Great Lakes--literary writing has long been an important means of asserting their continued existence as a nation, with its own culture, history, and sovereignty. At the same time, literature has also offered American writers a way to make the Anishinaabe Nation disappear, often by relegating it to a distant past. In this book, Adam Spry puts these two traditions in conversation with one another, showing how novels, poetry, and drama have been the ground upon which Anishinaabeg and Americans have clashed as representatives of two nations contentiously occupying the same land. Focusing on moments of contact, appropriation, and exchange, Spry examines a diverse range of texts in order to reveal a complex historical network of Native and non-Native writers who read and adapted each other's work across the boundaries of nation, culture, and time. By reconceiving the relationship between the United States and the Anishinaabeg as one of transnational exchange, Our War Paint Is Writers' Ink offers a new methodology for the study of Native American literatures, capable of addressing a long history of mutual cultural influence while simultaneously arguing for the legitimacy, and continued necessity, of indigenous nationhood. In addition, the author reexamines several critical assumptions--about authenticity, identity, and nationhood itself--that have become common wisdom in both Native American and US literary studies.
Two-Spirits Belong Here: An Anthology of works by Two-Spirit Transgender, Intersex, & Gender Non-Conforming Native American Artists by
An anthology of works by Two-Spirit Transgender, Intersex, & Gender Non-Conforming Native American Artists. Includes: poetry, photography, short stories, short plays, illustrations, and more! Incldues works by: Ahanu, Celina Aichi, Xuchit Alas, Maria Aragon, Jas Battle, Maleny Crespo, Jen Deerinwater, Johanna Elaina Googoo, Jei Herald-Zamora, Jimena Lucero, Ximena Ospina, Alexa Rodriguez, Benicio Rodriguez, Ricky Rosé, Emmelia Talarico, Xemiyulu Manibusan Tapepechul, Josephine Vallejo, and Pablo Ventura.
Why Indigenous Literatures Matter by
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions. Selected as an Equity, Justice, and Inclusion Community Read by the Association of University Presses.
Explorations in Navajo Poetry and Poetics by
This book is about the ways that the how of the story and the what of the story are intertwined.""--The Introduction.
Favor of Crows : New and Collected Haiku by
A collection of original haiku from a preeminent Native American poet and novelist.
In the Belly of a Laughing God : Humour and Irony in Native Women's Poetry by
"In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States, Joy Harjo, Louise Halfe, Kimberly Blaeser, Marilyn Dumont, Diane Glancy, Jeannette Armstrong, Wendy Rose, and Marie Annharte Baker, employ humour and irony to address the intricacies of race, gender, and nationality. While recognizing that humour and irony are often employed as methods of resistance, this ... analysis also acknowledges the ways in which they can be used to assert or restore order. Using the framework of humour and irony, five themes emerge from the words of these poets: spiritual transformations; generic transformations; history, memory, and the nation; photography and representational visibility; and land and the significance of 'home.' Through the double-voice discourse of irony and the textual surprises of humour, these poets challenge hegemonic renderings of themselves and their cultures, even as they enforce their own cultural norms."--Jacket.
Native Voices by
NATIVE VOICES is a comprehensive collection of the most urgent Indigenous American poetry and prose spanning the mid 20th Century to today. Featuring forty-two contemporary poets, and a selection of resonant work chosen from previous generations of Native artists.
The Octopus Museum by
This collection of bold and scathingly beautiful feminist poems imagines what comes after our current age of environmental destruction, racism, sexism, and divisive politics. This collection of bold and scathingly beautiful feminist poems imagines what comes after our current age of environmental destruction, racism, sexism, and divisive politics. Informed by Brenda Shaughnessy's craft as a poet and her worst fears as a mother, the poems in The Octopus Museum blaze forth from her pen- in these pages, we see that what was once a generalized fear for our children (car accidents, falling from a tree) is now hyper-reasonable, specific, and multiple- school shootings, nuclear attack, loss of health care, a polluted planet. As Shaughnessy conjures our potential future, she movingly (and often with humor) envisions an age where cephalopods might rule over humankind, a fate she suggests we may just deserve after destroying their oceans. These heartbreaking, terrified poems are the battle cry of a woman who is fighting for the survival of the world she loves, and a stirring exhibition of who we are as a civilization.
The Poetry and Poetics of Gerald Vizenor by
The first book devoted exclusively to the poetry and literary aesthetics of one of Native America's most accomplished writers, this collection of essays brings together detailed critical analyses of single texts and individual poetry collections from diverse theoretical perspectives, along with comparative discussions of Vizenor's related works. Contributors discuss Vizenor's philosophy of poetic expression, his innovations in diverse poetic genres, and the dynamic interrelationships between Vizenor's poetry and his prose writings. Throughout his poetic career Vizenor has returned to common tropes, themes, and structures. Indeed, it is difficult to distinguish clearly his work in poetry from his prose, fiction, and drama. The essays gathered in this collection offer powerful evidence of the continuing influence of Anishinaabe dream songs and the haiku form in Vizenor's novels, stories, and theoretical essays; this influence is most obvious at the level of grammatical structure and imagistic composition but can also be discerned in terms of themes and issues to which Vizenor continues to return."--Provided by publisher.
Postcolonial Love Poem by
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz's Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: "Let me call my anxiety,desire, then. / Let me call it,a garden." In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: "I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible. "Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope--in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
Sing with the Heart of a Bear: Fusions of Native and American Poetry by 
Sky Loom : Native American Myth, Story, and Song by 
Sueño : New Poems by
"Sueño, the fifth major collection by iconic Chicana-Native American poet Lorna Dee Cervantes is intellectually brilliant, linguistically playful, politically intense, and sensually aflame. These poems engage the reader on half a dozen levels at once. If anything, Sueño eexceeds Lorna Dee's reputation for power, insight and word play."--Cover.
When the Light of the World Was Subdued, Our Songs Came Through by
This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize-winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. When the Light of the World Was Subdued, Our Songs Came Through offers the extraordinary sweep of Native literature, without which no study of American poetry is complete.
The ABC-CLIO companion to the Native American rights movement by
"Those seeking to broaden their knowledge and gain insight into the issues defining the Native American rights movement will find solid information in The ABC-CLIO Companion to the Native American Rights Movement. This concise work fully charts the development, ideology, and accomplishments of this relatively new movement. Like other ABC-CLIO History Companions, the guide incorporates a detailed chronology that places significant events in historical context." "Through highly compelling narratives focusing on key themes, personalities, issues, and events, readers can trace the efforts of the Native American rights movement to preserve and recover the civil rights of American Indians. Nearly 500 alphabetized entries address a full range of issues, from the political debate over treaty obligations, ownership of natural resources, and the sovereignty of reservations to religious freedom and spiritual traditions. Throughout the text, key legislation and landmark court cases are highlighted."--Jacket
An Afro-Indigenous History of the United States by
The first intersectional history of the Black and Native American struggle for freedom in our country that also reframes our understanding of who was Indigenous in early America Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian Kyle T. Mays argues that the foundations of the US are rooted in antiblackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays show how the fervor of Black and Indigenous peoples calls for justice have consistently sought to uproot white supremacy. Mays uses a wide-array of historical activists and pop culture icons, "sacred" texts, and foundational texts like the Declaration of Independence and Democracy in America. He covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the cultural appropriation of Black culture. Mays compels us to rethink both our history as well as contemporary debates and to imagine the powerful possibilities of Afro-Indigenous solidarity. Includes an 8-page photo insert featuring Kwame Ture with Dennis Banks and Russell Means at the Wounded Knee Trials; Angela Davis walking with Oren Lyons after he leaves Wounded Knee, SD; former South African president Nelson Mandela with Clyde Bellecourt; and more.
The American Indian Integration of Baseball by
For many the entry of Jackie Robinson into Major League Baseball in 1947 marked the beginning of integration in professional baseball, but the entry of American Indians into the game during the previous half-century and the persistent racism directed toward them is not as well known. From the time that Louis Sockalexis stepped onto a Major League Baseball field in 1897, American Indians have had a presence in professional baseball. Unfortunately, it has not always been welcomed or respected, and Native athletes have faced racist stereotypes, foul epithets, and abuse from fans and players throughout their careers. The American Indian Integration of Baseball describes the experiences and contributions of American Indians as they courageously tried to make their place in America's national game during the first half of the twentieth century
Born to Run : A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen by
McDougall reveals the secrets of the world's greatest distance runners--the Tarahumara Indians of Copper Canyon, Mexico--and how he trained for the challenge of a lifetime: a fifty-mile race through the heart of Tarahumara country pitting the tribe against an odd band of super-athletic Americans.
The Hollow Tree : Fighting Addiction with Traditional Native Healing by
Before discovering native healing methods, Herb Nabigon could not imagine a life without alcohol. The Hollow Tree, tells the story of his struggle to overcome addiction with the help of the spiritual teachings and brotherly love of his Elders. Nabigon had spent much of his life wrestling with self-destructive impulses, feelings of inferiority and resentment, and alcohol abuse when Eddie Bellerose, an Elder, introduced him to the ancient Cree teachings. With the help of healing methods drawn from the Four Sacred Directions, the refuge and revitalization offered by the sweat lodge, and native cultural practices such as the use of the pipe, Nabigon was able to find sobriety."--Jacket
Indian Voices : Listening to Native Americans by
A contemporary oral history documenting what Native Americans from 16 different tribal nations say about themselves and the world around them.
This work is a contemporary oral history documenting what Native Americans from 16 different tribal nations say about themselves and the world around them. Have you ever sat down for an intimate conversation with a Lakota, Pawnee, Navajo, Yakama, Hopi, or Tonawanda Seneca, among members of other tribal nations, and listened to them talk about their lives and what it is like to be a Native American in the United States today? In this book the author takes readers on a journey across America, east to west, north to south, and around again. Young and old, women and men, speak with candor, insight, and (unknown to many non-Natives) humor about being a Native American in the twenty-first century. Many also express their thoughts about the sometimes staggeringly ignorant, if often well-meaning, non-Natives they encounter, some who do not realize Native Americans still exist, much less that they speak English, have cell phones, use the Internet, and might attend both powwows and power lunches. This book is a contribution to the literature about descendants of the original Americans that makes every reader rethink the past, and present, of the United States
Missionary Conquest : The Gospel and Native American Cultural Genocide by
This fascinating probe into U.S. mission history spotlights four cases: Junipero Serra, the Franciscan whose mission to California natives has made him a candidate for sainthood; John Eliot, the renowned Puritan missionary to Massachusetts Indians; Pierre-Jean De Smet, the Jesuit missioner to the Indians of the Midwest; and Henry Benjamin Whipple, who engineered the U.S. government's theft of the Black Hills from the Sioux.
Native Americans in sports by
Native Americans profiles nearly 200 past and present athletes and key personnel in sports ranging from archery to wrestling. It also includes essays on cultural themes, institutions, teams, and sport history
Native Peoples of the Southeast by 
Native American women : a biographical dictionary by 
Recovering Native American Writings in the Boarding School Press by
"Recovering Native American Writings in the Boarding School Press is the first comprehensive collection of writings by students and well-known Native American authors who published in boarding school newspapers during the late nineteenth and early twentieth centuries.Students used their acquired literacy in English along with more concrete tools that the boarding schools made available, such as printing technology, to create identities for themselves as editors and writers. In these roles they sought to challenge Native American stereotypes and share issues of importance to their communities.
Writings by Gertrude Bonnin (Zitkala-sa), Charles Eastman, and Luther Standing Bear are paired with the works of lesser-known writers to reveal parallels and points of contrast between students and generations.Drawing works primarily from the Carlisle Indian Industrial School (Pennsylvania), the Hampton Institute (Virginia), and the Seneca Indian School (Oklahoma), Jacqueline Emery illustrates how the boarding school presses were used for numerous and competing purposes.While some student writings appear to reflect the assimilationist agenda, others provide more critical perspectives on the schools' agendas and the dominant culture.This collection of Native-authored letters, editorials, essays, short fiction, and retold tales published in boarding school newspapers illuminates the boarding school legacy and how it has shaped, and continues to shape, Native American literary production.
"-- Provided by publisher.
"Anthology of editorials, articles, and essays written and published by Indigenous students at boarding schools around the turn of the twentieth century"-- Provided by publisher
The Rediscovery of America by
The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, as a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America. Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that * European colonization in the 1600s was never a predetermined success; * Native nations helped shape England's crisis of empire; * the first shots of the American Revolution were prompted by Indian affairs in the interior; * California Indians targeted by federally funded militias were among the first casualties of the Civil War; * the Union victory forever recalibrated Native communities across the West; * twentieth-century reservation activists refashioned American law and policy. Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.
Alanis Obomsawin : The Vision of a Native Filmmaker by
In more than twenty powerful films, Abenaki filmmaker Alanis Obomsawin has waged a brilliant battle against the ignorance and stereotypes that Native Americans have long endured in cinema and television. In this book, the first devoted to any Native filmmaker, Obomsawin receives her due as the central figure in the development of indigenous media in North America.
Corn Dance by
Growing up in Shawnee, Oklahoma, among a host of grandmothers and aunties, Loretta Barrett Oden learned the lessons and lore of Potawatomi cooking, along with those of her father's family, whose ancestors arrived on the Mayflower. This rich cultural blend came to bear in the iconic restaurant she opened in Santa Fe, the Corn Dance Café, where many of the dishes in this book had their debut, setting Loretta on her path to fame as one of the most influential Native chefs in the nation, a leader in the new Indigenous food movement, and, with her Emmy Award-winning PBS series, Seasoned with Spirit: A Native Cook's Journey, a cross-cultural ambassador for First American cuisine. Corn Dance: Inspired First American Cuisine tells the story of Loretta's journey and of the dishes she created along the way. Alongside recipes that combine the flavors of her Oklahoma upbringing and Indigenous heritage with the Southwest flair of her Santa Fe restaurant, Loretta offers entertaining and edifying observations about ingredients and cooking culture. What kind of quail might turn up in your vicinity, for instance; what to do with piñon nuts, sumac, or nopales (cactus paddles); when to add a bundle of pine needles or a small branch of cedar to your braise: these and many practical words of wisdom about using the fruits of the forest, stream, or plain, accompany Loretta's insights on everything from the dubious provenance of fry bread to the Potawatomi legend behind the Three Sisters--corn, beans, and squash, the namesake ingredients of Three Sisters and Friends Salad, served at Corn Dance Café and now at Thirty Nine Restaurant at First Americans Museum in Oklahoma City, where Oden is the Chef Consultant. Amply illustrated and adapted to bring the taste of Native tradition into the home kitchen, Corn Dance invites readers to join Loretta Oden on her inspiring journey into the Indigenous heritage, and the exhilarating culinary future, of North America.
For a Love of His People by
For more than five decades of the twentieth century, one of the first American Indian professional photographers gave an insider's view of his Oklahoma community--a community rooted in its traditional culture while also thoroughly modern and quintessentially American Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: "A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla." Not simply by "an Indian," but by a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. For a Love of His People: The Photography of Horace Poolaw is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison.
Native Apparitions by
In Cherokee, the term for motion picture is a-da-yv-la-ti or a-da-yu-la-ti, meaning "something that appears." In essence, motion pictures are machine-produced apparitions. While the Cherokee language recognizes that movies are not reality, Western audiences may on some level assume that film portrayals offer sincere depictions of imagined possibilities, creating a logic where what is projected must in part be true, stereotype or not. Native Apparitions offers a critical intervention and response to Hollywood's representations of Native peoples in film, from historical works by director John Ford to more contemporary works, such as Apocalypto and Avatar. But more than a critique of stereotypes, this book is a timely call for scholarly activism engaged in Indigenous media sovereignty. The collection clusters around three approaches: retrospective analysis, individual film analysis, and Native- and industry-centered testimonials and interviews, which highlight indigenous knowledge and cultural context, thus offering a complex and multilayered dialogic and polyphonic response to Hollywood's representations. Using an American Indian studies framework, Native Apparitions deftly illustrates the connection between Hollywood's representations of Native peoples and broader sociopolitical and historical contexts connected to colonialism, racism, and the Western worldview. Most importantly, it shows the impact of racializing stereotypes on Native peoples, and the resilience of Native peoples in resisting, transcending, and reframing Hollywood's Indian tropes. CONTRIBUTORS Chadwick Allen Richard Allen Joanna Hearne Tom Holm Jan-Christopher Horak Jacqueline Land Andrew Okpeaha MacLean M. Elise Marubbio Steve Pavlik Rose Roberts Myrton Running Wolf Richard M. Wheelock
Native Modernism : The Art of George Morrison and Allan Houser by
George Morrison (Grand Portage Band of Chippewa, 1919-2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914-1994) shattered expectations for Native art and paved the way for successive generations to experiment with a wide array of styles and techniques. Born in a small Chippewa community in Minnesota, Morrison traveled and studied in New York City and Europe during an extraordinarily creative period in twentieth-century art. He emerged triumphantly as both a major American artist and an Indian artist. Often described as an abstract expressionist, Morrison developed, in such celebrated series as his Horizon paintings, a non-figurative visual language. Sculptor and painter Allan Houser also forged a unique path that redefined the way art by Native Americans is viewed and understood. The work of this prominent twentieth-century artist has appeared in important exhibitions in the Americas, Europe, and Asia, and his monumental bronze Offering of the Sacred Pipe, installed at the U.S. Mission to the United Nations, has become a worldwide symbol of peace. In this beautifully illustrated book, distinguished Native American writers and scholars add a rich new dimension to previously published accounts of Native American art with an exploration of Morrison's and Houser's work in the context of contemporary art, Native American art history, and cultural identity
Northern Plains Native Americans by
North Dakotan Shane Balkowitsch's first personal camera was not an Instamatic Kodak or a point-and-shoot Nikon, but rather a large format wet plate camera. As a self-taught "image-maker" and one of the fewer than 1,000 wet plate collodion artists practicing around the world, Balkowitsch has fully devoted himself to mastering the obsolete photographic technology since 2012.Approaching the historically embedded technique from a contemporary perspective, Balkowitsch's process transforms the limitations of the medium--its labor and time-sensitive nature--into opportunities for creative explorations. Northern Plains Native Americans: A Modern Wet Plate Perspective presents a selection from Balkowitsch's photographic project which aims to capture 1000 wet plate portraits of Native Americans. His photographs highlight the dignity of his subjects, depicting them not as archetypes, but individuals of contemporary identities and historical legacies.
Reservation Reelism by
In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood’s representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. nbsp; Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples thatnbsp;films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators,nbsp;reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.
The Sioux Chef's Indigenous Kitchen by
Here is real food--our indigenous American fruits and vegetables, the wild and foraged ingredients, game and fish. Locally sourced, seasonal, "clean" ingredients and nose-to-tail cooking are nothing new to Sean Sherman, the Oglala Lakota chef and founder of The Sioux Chef. In his breakout book, The Sioux Chef's Indigenous Kitchen, Sherman shares his approach to creating boldly seasoned foods that are vibrant, healthful, at once elegant and easy. Sherman dispels outdated notions of Native American fare--no fry bread or Indian tacos here--and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef's healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut-maple bites. The Sioux Chef's Indigenous Kitchen is a rich education and a delectable introduction to modern indigenous cuisine of the Dakota and Minnesota territories, with a vision and approach to food that travels well beyond those borders.
Starring Red Wing! : The Incredible Career of Lilian M. St. Cyr, the First Native American Film Star by
"Starring Red Wing! is a sweeping narrative of St. Cyr's evolution as America's first Native American film star, from her childhood through her performance career, and to her days as a respected elder of the multi-tribal New York City Indian Community"-- Provided by publisher.
Through a Native Lens by
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works--along with pictures by other non-Native photographers--came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways.
Views from the Reservation by
Photographer John Willis has long been aware of the exploitation that can occur when photographers enter communities as outsiders. So, in 1992, when he first visited the Pine Ridge Indian Reservation in South Dakota, he assured elders of the Oglala Lakota nation that he would not exhibit any of his images. Over time, however, Willis earned the respect and trust of the community, and the elders urged him to show his work and create this book so that others might better understand Lakota land and life. Willis has returned to the reservation every year since 1992, and he has come to grasp and interpret this place as few others have. Views from the Reservation, first published to widespread acclaim in 2010 and now presented in an updated and expanded edition, remains a gift--a wopila--that is meant to open the minds, eyes, and hearts of outsiders to the life, culture, and conditions of the Oglala Lakota people. Along with his insightful and accomplished images, Willis has enlisted other voices to offer a more complete story: Lakota elders and high school students from the Pine Ridge Reservation offer powerful poems; writer Kent Nerburn contributes an original essay; Emil Her Many Horses, a curator at the National Museum of the American Indian, tells his story of growing up on the rez; Kevin Gover, Director of the National Museum of the American Indian, apologizes for the government's abuse of native people; Oglala Lakota artist Dwayne Wilcox shares his provocative ledger drawings; and members of the Reddest family present their amazing photo collection. Views from the Reservation is a masterful book that has been praised by the Lakota people for its honesty, spirit, and depth. It offers the chance for native peoples and outsiders alike to appreciate and respect the Pine Ridge Reservation from contemporary and historical points of view, with art and storytelling leading the way.
DawnlandEarlham College • 801 National Road West • Richmond, Indiana 47374-4095
