Zitkala-Sa
Red Bird Sings : The Story of Zitkala-Sa, Native American Author, Musician, and Activist by Zitkala-Š̌̌̌a finds that she can sing through her music, but also by writing stories and giving speeches and being an activist for Native American rights.
Zitkala-S̈a : Letters, Speeches, and Unpublished Writings, 1898-1929 by 
Dreams and Thunder by Zitkala-Sa (Red Bird) (1876-1938), also known as Gertrude Simmons Bonnin, was one of the best-known and most influential Native Americans of the twentieth century. Born on the Yankton Sioux Reservation, she remained true to her indigenous heritage as a student at the Boston Conservatory and a teacher at the Carlisle Indian School, as an activist in turn attacking the Carlisle School, as an artist celebrating Native stories and myths, and as an active member of the Society of American Indians in Washington DC. All these currents of Zitkala-Sa's rich life come together in this book, which presents her previously unpublished stories, rare poems, and the libretto of The Sun Dance Opera.
Dance in a Buffalo Skull by A prowling wildcat finds a surprise in an old dried-up buffalo skull. A group of mice are dancing the night away and not paying attention to the dagers around them. Does the wildcat spell doom for the mice, or will they escape to safety? Dance in a Buffalo Skull is an American Indain tale of danger and survival on the Great Plains.
American Indian Stories by Zitkala-Sa (Gertrude Bonnin) was one of the early Indian writers to record tribal legends and tales from oral tradition. Impressions of an Indian Childhood describes her first eight yeas on the Yankton Reservation, where she was born in 1876. Her schooling in Indiana revealed a gift for writing that led in 1901 to the publication of Old Indian Legends, also a Bison Book. For the rest of her rife, this Sioux was in the poignant but creative position of trying to bridge the gap between her own culture and the dominant white one, unable to return fully to the former or to enter fully into the latter. These pieces, largely autobiographical, were first collected and published in 1921. With their reissue, Zitkala-Sa takes her rightful place among such native interpreters of Sioux culture as Charles A. Eastman and Luther Standing Bear .
Old Indian Legends by Early in the twentieth century, a Sioux woman named Zitkala-Sa published these fourteen Native legends that she had learned during her own childhood on the Yankton Reservation. Her writing talent, developed during her education back east, was put to good use in recording from oral tradition the exploits of Iktomi the trickster, Eya the glutton, the Dragon Fly, and other magical and mysterious figures, human and animal, known to the Sioux. Until her death in 1938, Zitkala-Sa stood between two cultures as preserver and translator.
I am where I come from : Native American college students and graduates tell their life stories by The organizing principle for this anthology is the common Native American heritage of its authors; and yet that thread proves to be the most tenuous of all, as the experience of indigeneity differs radically for each of them. While many experience a centripetal pull toward a cohesive Indian experience, the indications throughout these essays lean toward a richer, more illustrative panorama of difference. What tends to bind them together are not cultural practices or spiritual attitudes per se, but rather circumstances that have no exclusive province in Indian country: that is, first and foremost, poverty, and its attendant symptoms of violence, substance abuse, and both physical and mental illness ... Education plays a critical role in such lives: many of the authors recall adoring school as young people, as it constituted a place of escape and a rare opportunity to thrive ... While many of the writers do return to their tribal communities after graduation, ideas about 'home' become more malleable and complicated."--The IntroductionI Am Where I Come From presents the autobiographies of thirteen Native American undergraduates and graduates of Dartmouth College, ten of them current and recent students. Twenty years ago, Cornell University Press published First Person, First Peoples: Native American College Graduates Tell Their Life Stories, also about the experiences of Native American students at Dartmouth College. I Am Where I Come From addresses similar themes and experiences, but it is very much a new book for a new generation of college students. Three of the essays from the earlier book are gathered into a section titled "Continuing Education," each followed by a shorter reflection from the author on his or her experience since writing the original essay. All three have changed jobs multiple times, returned to school for advanced degrees, started and increased their families, and, along the way, continuously revised and refined what it means to be Indian. The autobiographies contained in I Am Where I Come From explore issues of native identity, adjustment to the college environment, cultural and familial influences, and academic and career aspirations. The memoirs are notable for their eloquence and bravery.
The Victory with No Name : The Native American Defeat of the First American Army by "A balanced and readable account of the 1791 battle between St. Clair's US forces and an Indian coalition in the Ohio Valley, one of the most important and under-recognized events of its time"-- Provided by publisher.
Lewis & Clark and the Indian country : the Native American perspective by Lewis and Clark and the Indian Country broadens the scope of conventional study of the Lewis and Clark expedition to include Native American perspectives. Frederick E. Hoxie and Jay T. Nelson present the expedition's long-term impact on the "Indian Country" and its residents through compelling interviews conducted with Native Americans over the past two centuries, secondary literature, Lewis and Clark travel journals, and other primary sources from the Newberry Library's exhibit Lewis and Clark and the Indian Country. Rich stories of Native Americans, travelers, ranchers, Columbia River fur traders, teachers, and missionaries--often in conflict with each other--illustrate complex interactions between settlers and tribal people. Environmental protection issues and the preservation of Native language, education, and culture dominate late twentieth-century discussions, while early accounts document important Native American alliances with Lewis and Clark. In widening the reader's interpretive lens to include many perspectives, this collection reaches beyond individual achievement to appreciate America's plural past. -- From publisher description.
Native Modernism : The Art of George Morrison and Allan Houser by George Morrison (Grand Portage Band of Chippewa, 1919-2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914-1994) shattered expectations for Native art and paved the way for successive generations to experiment with a wide array of styles and techniques. Born in a small Chippewa community in Minnesota, Morrison traveled and studied in New York City and Europe during an extraordinarily creative period in twentieth-century art. He emerged triumphantly as both a major American artist and an Indian artist. Often described as an abstract expressionist, Morrison developed, in such celebrated series as his Horizon paintings, a non-figurative visual language. Sculptor and painter Allan Houser also forged a unique path that redefined the way art by Native Americans is viewed and understood. The work of this prominent twentieth-century artist has appeared in important exhibitions in the Americas, Europe, and Asia, and his monumental bronze Offering of the Sacred Pipe, installed at the U.S. Mission to the United Nations, has become a worldwide symbol of peace. In this beautifully illustrated book, distinguished Native American writers and scholars add a rich new dimension to previously published accounts of Native American art with an exploration of Morrison's and Houser's work in the context of contemporary art, Native American art history, and cultural identity
Native American women : a biographical dictionary by 
American Indian biographies by Contains biographical sketches, ranging in length from 300 to 3,000 words, on figures in North American Indian history, extending from the arrival of European colonists on North American shores to the early twenty-first century.
Sending My Heart Back Across the Years : Tradition and Innovation in Native American Autobiography by Using contemporary autobiography theory, and literary and anthropological approaches, Wong traces the development of Native American autobiography from pre-literate oral, artistic, and dramatic personal narratives through late nineteenth and early twentieth-century life histories to contemporary autobiographies.
Native North American literature : biographical and critical information on native writers and orators from the United States and Canada from historical times to the present by Provides biographical and critical information on Native American writers and orators from North America covering more than seventy-five literary figures from a score of tribal cultures, and includes commentary on Native oral traditions such as stories, myths, and songs
Conversations with Remarkable Native Americans by This work is a collection of interviews with some of today's most important Native Americans. In these interviews, contextualized in a national and international sociopolitical perspective, the editor, a noted ethnohistorian brings to light major developments in the Native American experience over the last thirty years. Overcoming hardships they have experienced as a forgotten minority, often torn between two cultures, these native writers, artists, journalists, activists, lawyers, and museum administrators have each made contributions toward the transformation of old stereotypes, the fight against discrimination, and the sharing of their heritage with mainstream society. Theirs is a story not so much of success but of resilience, of survival, with each interview subject having marked their time and eventually becoming the change they wanted in the world. The conversations in this volume reveal that the assertion of ethnic identity does not lead to bitterness and isolation, but rather an enthusiasm and drive toward greater visibility and recognition that at the same time aims at a greater understanding between different cultures. This collection brings forth an understanding of the Native American Renaissance
The Life and Writings of Betsey Chamberlain : Native American Mill Worker by Annotation During the 1830s and 1840s, Betsey Guppy Chamberlain (1797-1886), a mixed-race writer of English and Algonkian heritage, labored in the textile mills of Lowell, Massachusetts, where she penned colorful stories and sketches for two workers' magazines -- the Lowell Offering and The New England Offering. A courageous and pioneering author, Chamberlain wrote the earliest known Native American fiction and published some of the earliest prose to challenge the persecution of Native people and affirm their dignity and worth. The life and works of this remarkable and multi-faceted woman are now recovered from obscurity in this volume, which collects for the first time thirty-four of Chamberlain's richly varied contributions. Organized in three thematic sections (Native Tales and Dream Visions; "The Unprivileged Sex": Women's Concerns; and Village Sketches), the captivating writings range from humorous autobiographical sketches of New England life to protest pieces that raise
Sitting Bull : Lakota Tribal Chief and Leader of Native American Resistance by Shares the life of the Lakota chief, describing his early life, clashes with settlers, and role in the Battle of Little Bighorn. --Publisher
#Notyourprincess : Voices of Native American Women by Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous women across North America resound in this book. #Not Your Princess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, humiliation, and stereotyping are countered by the voices of passionate women making themselves heard and demanding change. Sometimes angry, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have been virtually invisible."-- Provided by publisher.
Telling a good one : the process of a Native American collaborative biography by Telling a Good One is the first comprehensive examination of the collaborative process that creates a Native American life story. Kathleen Mullen Sands draws on her partnership with the late Theodore Rios, a Tohono O'odham (formerly Papago) narrator, to address crucial issues surrounding the inscribing of a life story. Sands examines the creative, critical, and cultural processes behind this increasingly popular mode of self-expression. The impetus, initial negotiations, interview process, narrative content and style, and the editing and interpretation phases of a Native American life story are all given equal scrutiny. Of particular interest are Sands's successes and failings as a collaborator and the influence of Tohono O'odham culture and its tradition of storytelling on Rios's actions and words. Sands examines the effects of her personal background and academic training on her actions and decisions, how her experiences compare with other collaborative autobiographies and biographies, and the role of academia and publishers in shaping expectations about the content and format of Native American biographies and autobiographies.
Blue Dawn, Red Earth : New Native American Storytellers by Thirty stories by Native Americans on a variety of subjects. They range from Anita Endrezze's Darlene and the Dead Man, featuring an individual seeking death in the hope of being reborn a horse, to Eric I. Gansworth's The Raleigh Man, about Indians discriminating against poor white people
Earth Song, Sky Spirit : Short Stories of the Contemporary Native American Experience by A collection of thirty short stories written by Native American authors exploring the plight, the pride, and the presence of their people.
The Sign of the Beaver by Left alone to guard the family's wilderness home in eighteenth-century Maine, a boy is hard-pressed to survive until local Indians teach him their skills.
The Old American : A Novel by Set in New England and Canada during the French and Indian Wars; driven by its complex character, Caucus-Meteor. By turns shrewd and embittered, ambitious and despairing, inspired and tormented, he is the self-styled 'king' of the remnants of the first native tribes that encountered the English. Displaced and ravaged by disease, these refugees have been forced to bargain for land in Canada on which to live. Having hired himself out as interpreter to a raiding party of French and Iroquois, Caucus-Meteor returns from New Hampshire the unexpected possessor of a captive, Nathan Blake."--Jacket.
Caleb's Crossing by A richly imagined new novel from the author of the New York Times bestseller, People of the Book. Once again, Geraldine Brooks takes a remarkable shard of history and brings it to vivid life. In 1665, a young man from Martha's Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold, Brooks has created a luminous tale of love and faith, magic and adventure. The narrator of Caleb's Crossing is Bethia Mayfield, growing up in the tiny settlement of Great Harbor amid a small band of pioneers and Puritans. Restless and curious, she yearns after an education that is closed to her by her sex. As often as she can, she slips away to explore the island's glistening beaches and observe its native Wampanoag inhabitants. At twelve, she encounters Caleb, the young son of a chieftain, and the two forge a tentative secret friendship that draws each into the alien world of the other. Bethia's minister father tries to convert the Wampanoag, awakening the wrath of the tribe's shaman, against whose magic he must test his own beliefs. One of his projects becomes the education of Caleb, and a year later, Caleb is in Cambridge, studying Latin and Greek among the colonial elite. There, Bethia finds herself reluctantly indentured as a housekeeper and can closely observe Caleb's crossing of cultures. Like Brooks's beloved narrator Anna in Year of Wonders, Bethia proves an emotionally irresistible guide to the wilds of Martha's Vineyard and the intimate spaces of the human heart. Evocative and utterly absorbing, Caleb's Crossing further establishes Brooks's place as one of our most acclaimed novelists. Watch a Video
Arrow to the Sun : A Pueblo Indian Tale by An adaptation of the Pueblo Indian myth which explains how the spirit of the Lord of the Sun was brought to the world of men.
Native Storiers : Five Selections by Gerald Vizenor presents in this anthology some of the best contemporary Native American Indian authors writing today. The five books from which these excerpts are drawn are published in the University of Nebraska Press's Native Storiers series.
The Story of Jumping Mouse : A Native American Legend by The gifts of Magic Frog and his own hopeful and unselfish spirit bring Jumping Mouse finally to the Far-Off Land where no mouse goes hungry.
The Arrow over the Door by A powerful novel of the Revolutionary WarTo fourteen-year-old Samuel Russell, called "coward" for his peace-loving Quaker beliefs, the summer of 1777 is a time of fear. The British and the Patriots will soon meet in battle near his home in Saratoga, New York. The Quakers are in danger from roaming Indians and raiders -- yet to fight back is not the Friends' way.To Stands Straight, a young Abenaki Indian on a scouting mission for the British, all Americans are enemies, for they killed his mother and brother. But in a Quaker Meetinghouse he will come upon Americans unlike any he has ever seen. What will the encounter bring? Based on a real historical incident, this fast-paced and moving story is a powerful reminder that "the way of peace...can be walked by all human beings".
Ceremony by This story, set on an Indian reservation just after World War II, concerns the return home of a war-weary Laguna Pueblo young man. Tayo, a young Native American, has been a prisoner of the Japanese during World War II, and the horrors of captivity have almost eroded his will to survive. His return to the Laguna Pueblo reservation only increases his feeling of estrangement and alienation. While other returning soldiers find easy refuge in alcohol and senseless violence, Tayo searches for another kind of comfort and resolution. Tayo's quest leads him back to the Indian past and its traditions, to beliefs about witchcraft and evil, and to the ancient stories of his people. The search itself becomes a ritual, a curative ceremony that defeats the most virulent of afflictions-despair. "Demanding but confident and beautifully written" (Boston Globe), this is the story of a young Native American returning to his reservation after surviving the horrors of captivity as a prisoner of the Japanese during World War II. Drawn to his Indian past and its traditions, his search for comfort and resolution becomes a ritual--a curative ceremony that defeats his despair
The Painted Drum by Discovering a cache of valuable Native American artifacts while appraising an estate in New Hampshire, Faye Travers investigates the history of a ceremonial drum, which possesses spiritual powers and changes the lives of people who encounter it
The Plague of Doves by The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.
Shadow Tag by This novel presents the story of Irene America, who is a smart, beautiful, introspective woman of Native American descent. Too distracted to finish her doctoral degree, she musters the emotional resources needed to keep two journals. The "Red Diary" is bait, filled with adulterous scenes that Irene uses to push volatile artist husband Gil close enough to the brink that he'll leave her. She unleashes all her rage and frustration in the "Blue Notebook," which she keeps in a bank deposit box. Meanwhile, Gil believes that his obsessive graphic paintings of Irene will somehow lure her back to him. Caught in the crosshairs of their parents' cruel, messy unraveling are 13-year-old Florian, a genius who models his mother's excessive drinking habits; Riel, 11, who believes that only she can hold her disintegrating family together; and sunny little Stoney. The result is a cautionary tale of the shocking havoc that willfully destructive, self-centered spouses wreak not only upon themselves but also upon their children.
Love Medicine : A Novel by A story of the intertwined fates of the Kashpaws and the Lamartines near a North Dakota reservation from 1934 to 1984.
Genocide of the Mind : New Native American Writing by Publisher description: After five centuries of Eurocentrism, many people have little idea that Native American tribes still exist, or which traditions belong to what tribes. However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians -- individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations
House Made of Dawn by House Made of Dawn, which won the Pulitzer Prize in 1969, tells the story of a young American Indian named Abel, home from a foreign war and caught between two worlds: one his father's, wedding him to the rhythm of the seasons and the harsh beauty of the land; the other of industrial America, a goading him into a compulsive cycle of dissipation and disgust.
Grandmothers of the Light : A Medicine Woman's Sourcebook by In this collection of goddess stories gleaned from the vast oral tradition of Native America, the author evokes a world of personal freedom and communal harmony, of free communication among people, animals, and spirits, of magic and its discipline, of balance between the sacred and the mundane.--From publisher description.
Flight : A Novel by Flight follows a troubled foster teenager--a boy who is not a "legal" Indian because he was never claimed by his father. The journey begins as he's about to commit a massive act of violence. At the moment of decision, he finds himself shot back through time to resurface in the body of an FBI agent during the civil rights era, where he sees why "Hell is Red River, Idaho, in the 1970s." Red River is only the first stop in an eye-opening trip through moments in American history. He will continue traveling back to inhabit the body of an Indian child during the battle at Little Bighorn and then ride with an Indian tracker in the nineteenth century before materializing as an airline pilot jetting through the skies today. During these furious travels through time, his refrain grows: "Who's to judge?" and "I don't understand humans."
The Absolutely True Diary of a Part-Time Indian by Budding cartoonist Junior leaves his troubled school on the Spokane Indian Reservation to attend an all-white farm town school where the only other Indian is the school mascot
There There by Not since Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Louise Erdrich's Love Medicine has such a powerful and urgent Native American voice exploded onto the landscape of contemporary fiction. Tommy Orange's There There introduces a brilliant new author at the start of a major career. "We all came to the powwow for different reasons. The messy, dangling threads of our lives got pulled into a braid--tied to the back of everything we'd been doing all along to get us here. There will be death and playing dead, there will be screams and unbearable silences, forever-silences, and a kind of time-travel, at the moment the gunshots start, when we look around and see ourselves as we are, in our regalia, and something in our blood will recoil then boil hot enough to burn through time and place and memory. We'll go back to where we came from, when we were people running from bullets at the end of that old world. The tragedy of it all will be unspeakable, that we've been fighting for decades to be recognized as a present-tense people, modern and relevant, only to die in the grass wearing feathers." Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame in Oakland. Dene Oxendene is pulling his life together after his uncle's death and has come to work the powwow and to honor his uncle's memory. Edwin Frank has come to find his true father. Bobby Big Medicine has come to drum the Grand Entry. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather; Orvil has taught himself Indian dance through YouTube videos, and he has come to the Big Oakland Powwow to dance in public for the very first time. Tony Loneman is a young Native American boy whose future seems destined to be as bleak as his past, and he has come to the Powwow with darker intentions--intentions that will destroy the lives of everyone in his path. Fierce, angry, funny, groundbreaking--Tommy Orange's first novel is a wondrous and shattering portrait of an America few of us have ever seen. There There is a multi-generational, relentlessly paced story about violence and recovery, hope and loss, identity and power, dislocation and communion, and the beauty and despair woven into the history of a nation and its people. A glorious, unforgettable debut"-- Provided by publisher.
The World We Used to Live In by The world lost a courageous leader and a treasured friend with the passing of Vine Deloria Jr. He was and is one of the greatest spiritual thinkers of our time. Before his death, Deloria was re-examining Native spirituality. His years of collecting Native stories of the medicine men, and exploring spirituality from different perspectives are brought together in this book. Although Deloria was annoyed and disapproving of the commercialization of Native spirituality (sweat lodges conducted for $50, peyote meetings for $1,500, medicine drums for $300), he did not wish to chastise those finding solace in these pseudo rituals. Instead, he wanted to open people's eyes to the rituals and ceremonies as they were originally intended--to stop the empty recitation of songs and blessings and bring meaning and spirit back to the sacred Native rites. To do so, he explored the medicine men, their powers, and the Earth's relation to the cosmos.
This Tender Land : A Novel by 1932, Minnesota. The Lincoln School is a pitiless place where hundreds of Native American children, forcibly separated from their parents, are sent to be educated. It is also home to an orphan named Odie O'Banion, a lively boy whose exploits earn him the superintendent's wrath. Forced to flee, he and his brother Albert, their best friend Mose, and a little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own. Over the course of one unforgettable summer, these four orphans will journey into the unknown and cross paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds. -- adapted from jacket
Through Black Spruce by A haunting novel about identity, love, and loss by the author of Three Day Road Will Bird is a legendary Cree bush pilot, now lying in a coma in a hospital in his hometown of Moose Factory, Ontario. His niece Annie Bird, beautiful and self-reliant, has returned from her own perilous journey to sit beside his bed. Broken in different ways, the two take silent communion in their unspoken kinship, and the story that unfolds is rife with heartbreak, fierce love, ancient blood feuds, mysterious disappearances, fires, plane crashes, murders, and the bonds that hold a family, and a people, together. As Will and Annie reveal their secretsthe tragic betrayal that cost Will his family, Annies desperate search for her missing sister, the famous model Suzannea remarkable saga of resilience and destiny takes shape. From the dangerous bush country of upper Canada to the drug-fueled glamour of the Manhattan club scene, Joseph Boyden tracks his characters with a keen eye for the telling detail and a rare empathy for the empty places concealed within the heart. Sure to appeal to readers of Louise Erdrich and Jim Harrison, Through Black Spruceestablishes Boyden as a writer of startling originality and uncommon power.
Mohawk Interruptus by Mohawk Interruptus is a bold challenge to dominant thinking in the fields of Native studies and anthropology. Combining political theory with ethnographic research among the Mohawks of Kahnawà:ke, a reserve community in what is now southwestern Quebec, Audra Simpson examines their struggles to articulate and maintain political sovereignty through centuries of settler colonialism. The Kahnawà:ke Mohawks are part of the Haudenosaunee or Iroquois Confederacy. Like many Iroquois peoples, they insist on the integrity of Haudenosaunee governance and refuse American or Canadian citizenship. Audra Simpson thinks through this politics of refusal, which stands in stark contrast to the politics of cultural recognition. Tracing the implications of refusal, Simpson argues that one sovereign political order can exist nested within a sovereign state, albeit with enormous tension around issues of jurisdiction and legitimacy. Finally, Simpson critiques anthropologists and political scientists, whom, she argues, have too readily accepted the assumption that the colonial project is complete. Belying that notion, Mohawk Interruptus calls for and demonstrates more robust and evenhanded forms of inquiry into indigenous politics in the teeth of settler governance.
Native by Native is about identity, soul-searching, and the never-ending journey of finding ourselves and finding God. As both a citizen of the Potawatomi Nation and a Christian, Kaitlin Curtice offers a unique perspective on these topics. In this book, she shows how reconnecting with her Potawatomi identity both informs and challenges her faith.Curtice draws on her personal journey, poetry, imagery, and stories of the Potawatomi people to address themes at the forefront of today's discussions of faith and culture in a positive and constructive way. She encourages us to embrace our own origins and to share and listen to each other's stories so we can build a more inclusive and diverse future. Each of our stories matters for the church to be truly whole. As Curtice shares what it means to experience her faith through the lens of her Indigenous heritage, she reveals that a vibrant spirituality has its origins in identity, belonging, and a sense of place.
American Gypsy : Six Native American Plays by A collection of six plays, uses a melange of voices to invoke the myths and realities of modern Native American life. The author intermixes poetry and prose to address themes of gender, generational relationships, acculturation, myth, and tensions between Christianity and traditional Native American belief systems
Ants and Orioles : Showing the Art of Pima Poetry by During Pima social dances, men and women join hands and stomp throughout the night to the rhythm of Ant songs and Oriole songs performed by specialized singers. While these songs provide the substance of Native American poetry, until now no one has asked how these songs - and others - form a Native American poetic tradition, nor has anyone asked what makes some of these poems good. Donald Bahr spent more than twenty years working with Pima singers in southern Arizona investigating these questions. Ants and Orioles presents translations of two singers' performances, "beautiful, provocative, condensed, disciplined tellings of things" learned from spirit-persons in dreams. A subtle yet bold endeavor, Ants and Orioles will appeal to anyone interested in poetry or modes of textuality in other world cultures
Explorations in Navajo Poetry and Poetics by This book is about the ways that the how of the story and the what of the story are intertwined.""--The Introduction.
Harper's Anthology of 20th Century Native American Poetry by The rich, varied work of 36 contemporary Native American poets of stature is sampled in this welcome anthology.
I, The Song : Classical Poetry of Native North America by 
In the Belly of a Laughing God : Humour and Irony in Native Women's Poetry by "In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States, Joy Harjo, Louise Halfe, Kimberly Blaeser, Marilyn Dumont, Diane Glancy, Jeannette Armstrong, Wendy Rose, and Marie Annharte Baker, employ humour and irony to address the intricacies of race, gender, and nationality. While recognizing that humour and irony are often employed as methods of resistance, this ... analysis also acknowledges the ways in which they can be used to assert or restore order. Using the framework of humour and irony, five themes emerge from the words of these poets: spiritual transformations; generic transformations; history, memory, and the nation; photography and representational visibility; and land and the significance of 'home.' Through the double-voice discourse of irony and the textual surprises of humour, these poets challenge hegemonic renderings of themselves and their cultures, even as they enforce their own cultural norms."--Jacket.
Newe Hupia : Shoshoni Poetry Songs by This collection presents written texts of songs in Shoshoni and English, with both figurative and literal translations. The songs fall into several categories based on the contexts of their performances, such as dance songs, medicine songs, and handgame songs. The texts are framed with an introduction and commentary discussing the cultural background, meaning, forms, and performance contexts of the songs; Shoshoni language; and methodology. Glossaries of Shoshoni terms are appended. As the first major linguistic study of Shoshoni songs, Newe Hupia is an important contribution to scholarship. It also marks a significant achievement in the preservation of an important aspect of Shoshoni language and culture. And it has literary value as a presentation of Shoshoni verse and aesthetics. Furthermore, many readers and listeners will find the songs to be lyrical, pleasing to the ear, and evocative of the natural world.
Reading the Voice : Native American Oral Poetry on the Page by This is a book about poetry: about its sacred underpinnings, its broad presence in everyday life, and its necessity to the human community. Reading the Voice examines poetry's abiding importance among Native Americans from ancient times to the present. It also seeks connections between an ancient tribal way of making and diffusing poetry and more recent print-oriented or electronic means. Drawing on years of experience with Seneca and Navajo singers and storytellers, Paul Zoibrod offers an introductory framework for appreciating what can be called America's first literature and for reevaluating the Western literary heritage. He states, "I consider this work a tentative first step in reconciling mainstream America with the deep poetic roots of an unwritten aboriginal past, and perhaps even with the deeper European roots of its own poetic traditions." To do so effectively, however, readers must first reexamine assumptions about what poetry and literature really are. Those who come to Native American "literature" in print must do so conscious of the dynamic sounds of speech and song by "reading the voice," instead of merely looking at a silent sheet of paper full of alphabetical symbols. By doing otherwise we stand to miss much that is essential to the verbal art of indigenous peoples whom print cultures approach from an alien perspective.
Sing with the Heart of a Bear: Fusions of Native and American Poetry by 
Sky Loom : Native American Myth, Story, and Song by 
That's What She Said : Contemporary Poetry and Fiction by Native American Women by A collection of poetry and stories by sixteen Native American women authors
The Willow's Whisper : A Transatlantic Compilation of Poetry from Ireland and Native America by The Willow's Whisper brings the voices of 35 poets from the Irish and Native American communities together in one compilation. This collection of poems provides an aesthetic commentary on the potential which is beyond and within the everyday. From Gabriel Rosenstock and Biddy Jenkinson to N. Scott Momaday and Karenne Wood, mother-earth comes to life through each sound and syllable, and reawakens our senses to the world at its most beautiful and evocative. This volume will aid us to reconnect
Absentee Indians & Other Poems by Absentee Indians and Other Poems evokes personal yet universal experiences of the places that Native Americans call home, their family and national histories, and the emotional forces that help forge Native American identities. These are poems of exile, loss, and the celebration of that which remains. Anchored in the physical landscape, Blaeser's poetry finds the sacred in those ordinary actions that bind a community together. As Blaeser turns to the mysterious passage from sleeping to wakefulness, or from nature to spirit, she reveals not merely the movement from one age or place to another, but the movement from experience to vision
Favor of Crows : New and Collected Haiku by A collection of original haiku from a preeminent Native American poet and novelist.
The Feathered Heart by This revised and expanded edition of The Feathered Heart, Mark Turcotte's celebrated collection of Native American poetry, brings traditional oral culture to print. Torn, painful, vibrant, and full of hope, his poetry weaves together the multilayered and textured fabric of contemporary Native American urban and rural existence. Appropriately, each poem in The Feathered Heart possesses a deeply lyrical quality. Raw emotion echoes in Turcotte's voice, in his verse, in the things he sees. ""Ten Thousand Thousand Bones, "" for example, ""a poem about the desecration
How We Became Human : New and Selected Poems by " ... offers a selection ... including poems from She had some horses and Mad love and war ... signature blend of storytelling, prayer, and song ..."
The Octopus Museum by This collection of bold and scathingly beautiful feminist poems imagines what comes after our current age of environmental destruction, racism, sexism, and divisive politics. This collection of bold and scathingly beautiful feminist poems imagines what comes after our current age of environmental destruction, racism, sexism, and divisive politics. Informed by Brenda Shaughnessy's craft as a poet and her worst fears as a mother, the poems in The Octopus Museum blaze forth from her pen- in these pages, we see that what was once a generalized fear for our children (car accidents, falling from a tree) is now hyper-reasonable, specific, and multiple- school shootings, nuclear attack, loss of health care, a polluted planet. As Shaughnessy conjures our potential future, she movingly (and often with humor) envisions an age where cephalopods might rule over humankind, a fate she suggests we may just deserve after destroying their oceans. These heartbreaking, terrified poems are the battle cry of a woman who is fighting for the survival of the world she loves, and a stirring exhibition of who we are as a civilization.
The Poetry and Poetics of Gerald Vizenor by The first book devoted exclusively to the poetry and literary aesthetics of one of Native America's most accomplished writers, this collection of essays brings together detailed critical analyses of single texts and individual poetry collections from diverse theoretical perspectives, along with comparative discussions of Vizenor's related works. Contributors discuss Vizenor's philosophy of poetic expression, his innovations in diverse poetic genres, and the dynamic interrelationships between Vizenor's poetry and his prose writings. Throughout his poetic career Vizenor has returned to common tropes, themes, and structures. Indeed, it is difficult to distinguish clearly his work in poetry from his prose, fiction, and drama. The essays gathered in this collection offer powerful evidence of the continuing influence of Anishinaabe dream songs and the haiku form in Vizenor's novels, stories, and theoretical essays; this influence is most obvious at the level of grammatical structure and imagistic composition but can also be discerned in terms of themes and issues to which Vizenor continues to return."--Provided by publisher.
Postcolonial Love Poem by WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz's Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: "Let me call my anxiety,desire, then. / Let me call it,a garden." In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: "I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible. "Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope--in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
Song of the Turtle by * Sherman Alexie * Paula Gunn Allen * Esther Belin * Betty Louis Bell * Beth Brant * Joseph Bruchac * Michelle Clinton * Robert J. Conely * Dan L. Crank * Michael Dorris * Debra Earling * Louise Erdrich * Diane Glancy * Roxy Gordon * Joy Harjo * Linda Hogan * Dean Ing * Thomas King * Lee Maracle * N. Scott Momaday * Louis Owens * Opal Lee Popkes * Susan Power * D. Renville * Ralph Salisbury * Leslie Marmon Silko * Patricia Clark Smith * Martin Cruz Smith * Mary Randle TallMountain * Luci Tapahonso * Alice Walker * Karen Wallace * Anna Lee Walters * Emma Lee Warrior * James Welch In this stunning collection of American Indian literature, scholar and literary critic Paula Gunn Allen gathers together the best Native writing--indeed, some of the best American writing--from the last two decades. Song of the Turtle creates an eloquent cycle of story and self-exploration from the works of both major writers and emerging talents, and represents a unique survey of contemporary Native American work. In more than thirty luminous stories, American Indian writers explore the ways in which spirituality, ritual, and identity infuse and define the contemporary Native world. Patricia Clark Smith creates an Albuquerque housewife seduced by the music of the Hump Back Flute Player. Louise Erdrich immerses us in danger, conflict, and mystery during an evening of bingo. Michael Dorris tells a droll tale of courtship in a gynocentric Native society. Recent Native fiction is a powerful sign of the sense of renewal and hope emanating from urban neighborhoods, rural communities, and reservations. This sense arises from the collision of despair, rage, laughter, and celebration, the intense meeting of the ancient and the not-yet-come. From it Allen has created Song of the Turtle, the canon of the future and an immensely powerful contribution to American literature.
Soul Talk, Song Language : Conversations with Joy Harjo by Intimate and illuminating conversations with one of America's foremost Native artists.
Sueño : New Poems by "Sueño, the fifth major collection by iconic Chicana-Native American poet Lorna Dee Cervantes is intellectually brilliant, linguistically playful, politically intense, and sensually aflame. These poems engage the reader on half a dozen levels at once. If anything, Sueño eexceeds Lorna Dee's reputation for power, insight and word play."--Cover.
The ABC-CLIO companion to the Native American rights movement by "Those seeking to broaden their knowledge and gain insight into the issues defining the Native American rights movement will find solid information in The ABC-CLIO Companion to the Native American Rights Movement. This concise work fully charts the development, ideology, and accomplishments of this relatively new movement. Like other ABC-CLIO History Companions, the guide incorporates a detailed chronology that places significant events in historical context." "Through highly compelling narratives focusing on key themes, personalities, issues, and events, readers can trace the efforts of the Native American rights movement to preserve and recover the civil rights of American Indians. Nearly 500 alphabetized entries address a full range of issues, from the political debate over treaty obligations, ownership of natural resources, and the sovereignty of reservations to religious freedom and spiritual traditions. Throughout the text, key legislation and landmark court cases are highlighted."--Jacket
The American Indian Integration of Baseball by For many the entry of Jackie Robinson into Major League Baseball in 1947 marked the beginning of integration in professional baseball, but the entry of American Indians into the game during the previous half-century and the persistent racism directed toward them is not as well known. From the time that Louis Sockalexis stepped onto a Major League Baseball field in 1897, American Indians have had a presence in professional baseball. Unfortunately, it has not always been welcomed or respected, and Native athletes have faced racist stereotypes, foul epithets, and abuse from fans and players throughout their careers. The American Indian Integration of Baseball describes the experiences and contributions of American Indians as they courageously tried to make their place in America's national game during the first half of the twentieth century
Ancient Borinquen : Archaeology and Ethnohistory of Native Puerto Rico by Native American cultures of Puerto Rico prior to the arrival of the Spanish in 1493.A book on the prehistory of a modern geopolitical entity is artificial. It is unlikely that prehistoric occupants recognized the same boundaries and responded to the same political forces that operated in the formation of current nations, states, or cities. Yet, archaeologists traditionally have produced such volumes and they generally represent anchors for ongoing research in a specific region, in this case the island of Puerto Rico, its immediate neighbors, and the wider Caribbean basin. To varying degrees,
Born to Run : A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen by McDougall reveals the secrets of the world's greatest distance runners--the Tarahumara Indians of Copper Canyon, Mexico--and how he trained for the challenge of a lifetime: a fifty-mile race through the heart of Tarahumara country pitting the tribe against an odd band of super-athletic Americans.
The Gale Encyclopedia of Native American Tribes by This acclaimed set offers students and researchers thorough, objective and systematic essays on the history, culture and current status of all federally recognized Native American groups - approximately 400 in all.
The Hollow Tree : Fighting Addiction with Traditional Native Healing by Before discovering native healing methods, Herb Nabigon could not imagine a life without alcohol. The Hollow Tree, tells the story of his struggle to overcome addiction with the help of the spiritual teachings and brotherly love of his Elders. Nabigon had spent much of his life wrestling with self-destructive impulses, feelings of inferiority and resentment, and alcohol abuse when Eddie Bellerose, an Elder, introduced him to the ancient Cree teachings. With the help of healing methods drawn from the Four Sacred Directions, the refuge and revitalization offered by the sweat lodge, and native cultural practices such as the use of the pipe, Nabigon was able to find sobriety."--Jacket
Indian Voices : Listening to Native Americans by A contemporary oral history documenting what Native Americans from 16 different tribal nations say about themselves and the world around them.
Missionary Conquest : The Gospel and Native American Cultural Genocide by This fascinating probe into U.S. mission history spotlights four cases: Junipero Serra, the Franciscan whose mission to California natives has made him a candidate for sainthood; John Eliot, the renowned Puritan missionary to Massachusetts Indians; Pierre-Jean De Smet, the Jesuit missioner to the Indians of the Midwest; and Henry Benjamin Whipple, who engineered the U.S. government's theft of the Black Hills from the Sioux.
Native American literatures : an encyclopedia of works, characters, authors, and themes by This current, affordable title covers Native American poetry, fiction, and prose. It lists more than 300 alphabetically arranged entries, divided into four types: individual authors, individual works, important characters in works, and terms or events of historical importance. Summaries and interpretive information on texts that would be of use to high school and undergraduate students are provided. This volume would be a useful addition to public and academic libraries."--"Outstanding reference sources 2000", American Libraries, May 2000. Comp. by the Reference Sources Committee, RUSA, ALA
Native Americans in sports by Native Americans profiles nearly 200 past and present athletes and key personnel in sports ranging from archery to wrestling. It also includes essays on cultural themes, institutions, teams, and sport history
Recovering Native American Writings in the Boarding School Press by "Recovering Native American Writings in the Boarding School Press is the first comprehensive collection of writings by students and well-known Native American authors who published in boarding school newspapers during the late nineteenth and early twentieth centuries.Students used their acquired literacy in English along with more concrete tools that the boarding schools made available, such as printing technology, to create identities for themselves as editors and writers. In these roles they sought to challenge Native American stereotypes and share issues of importance to their communities.
Timelines of Native American History by An illustrated chronology of Native American history, featuring a color fold-out timeline that provides information on culture, warfare and protest, and politics and law, from 1492 through 1990, and including a biographical dictionary, and a guide to battles and incidents.
St. James Guide to Native North American Artists by Profiling 400 prominent artists of the 20th century, each entry in this reference includes a biographical profile; lists of exhibitions, public galleries and museums; a bibliography of books and articles by and about the entrant; and presents a critical perspective on the artist's work
Alanis Obomsawin : The Vision of a Native Filmmaker by In more than twenty powerful films, Abenaki filmmaker Alanis Obomsawin has waged a brilliant battle against the ignorance and stereotypes that Native Americans have long endured in cinema and television. In this book, the first devoted to any Native filmmaker, Obomsawin receives her due as the central figure in the development of indigenous media in North America.
For a Love of His People by For more than five decades of the twentieth century, one of the first American Indian professional photographers gave an insider's view of his Oklahoma community--a community rooted in its traditional culture while also thoroughly modern and quintessentially American Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: "A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla." Not simply by "an Indian," but by a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. For a Love of His People: The Photography of Horace Poolaw is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison. 
One Native life by One Native Life is a look back down the road Wagamese has travelled. It's about the things he's learned as a human being, a man and an Ojibway in his fifty-two years on the planet. Whether he's writing about making bannock, playing baseball, listening to the wind, meeting Johnny Cash or running away with the circus, these are stories told in a healing spirit. This is a book about roots: uncovering them, tending them, watching life spring up all around you. It is also a book about Canada. Acceptance is an Aboriginal principle, and Wagamese has come to see that we are all neighbours here. Once we understand that, he says, we realize it's all one great, grand tale
Reservation Reelism by In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood’s representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. nbsp; Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples thatnbsp;films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators,nbsp;reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.
The Sioux Chef's Indigenous Kitchen by Here is real food--our indigenous American fruits and vegetables, the wild and foraged ingredients, game and fish. Locally sourced, seasonal, "clean" ingredients and nose-to-tail cooking are nothing new to Sean Sherman, the Oglala Lakota chef and founder of The Sioux Chef. In his breakout book, The Sioux Chef's Indigenous Kitchen, Sherman shares his approach to creating boldly seasoned foods that are vibrant, healthful, at once elegant and easy. Sherman dispels outdated notions of Native American fare--no fry bread or Indian tacos here--and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef's healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut-maple bites. The Sioux Chef's Indigenous Kitchen is a rich education and a delectable introduction to modern indigenous cuisine of the Dakota and Minnesota territories, with a vision and approach to food that travels well beyond those borders.
Starring Red Wing! : The Incredible Career of Lilian M. St. Cyr, the First Native American Film Star by "Starring Red Wing! is a sweeping narrative of St. Cyr's evolution as America's first Native American film star, from her childhood through her performance career, and to her days as a respected elder of the multi-tribal New York City Indian Community"-- Provided by publisher.
Through a Native Lens by What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works--along with pictures by other non-Native photographers--came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways.
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