Viking myths & sagas : retold from ancient Norse texts
Written in the Language of the Scottish Nation by
Although much work has been published on certain aspects of translation into Scots, this timely book is the first comprehensive account of Scots translations from the fifteenth to the twentieth century. From the period before Gavin Douglas's translation of the Aeneid to John Byrne's recent adaptation of Gogol's The Government Inspector, this survey argues that translation plays a central role in the development of literature in Scots, lending authority to the vernacular, and extending the stylistic range open to writers in Scots. The survey draws upon insights from Translation Studies to examine the role of translation in a nation whose status is periodically redefined. The history of translation into Scots can be seen as a microcosm of the history of the Scottish nation and its culture. The case of Scots translation also raises important issues for Translation Studies, in particular the problem of the translator's 'visibility' when he or she cannot hide behind the neutrality of a standard language. This book is essential reading for those who are interested in Translation Studies, and should be enjoyed by anyone interested in the development of Scots and Scottish Literature.
The Syntax of Old Norse by
This book offers the first account of Old Norse syntax for almost a hundred years and the first ever in a non-Scandinavian language. The language of the Vikings and of the Old Icelandic sagas is the best documented medieval Germanic language and the author is able to present a comprehensive analysis of its syntax and overviews of its phonology and morphology. He supports his analyses with examples taken from Norwegian and Icelandic manuscript editions. ProfessorFaarlund's approach is descriptive, in a generative framework with a minimum of technical detail. He includes a complete bibliography of Old Norse syntax.The book is intended for advanced students and scholars of historical linguistics, Germanic and Scandinavian languages, Norse philology, and all others with a serious interest in Nordic languages, civilizations, and history.
Scotland - Edinburgh and the Lothians by 
Scotland: A Very Short Introduction by
Since Devolution in 1999 Scotland has become a focus of intense interest both within Britain and throughout the wider world. In this Very Short Introduction, Rab Houston explores how an independent Scottish nation emerged in the Middle Ages, how it was irrevocably altered by Reformation, links with England and economic change, and how Scotland influenced the development of the modern world. Examining politics, law, society, religion, education, migration, and culture, he examines how the nation's history has made it distinct from England, both before and after Union, how it overcame internal tensions between Highland and Lowland society, and how it has today arrived at a political, social and culture watershed. Authoritative, lucid, and ranging widely over issues of environment, people, and identity, this is Scotland's story without myths: an ideal introduction for those interested in the Scots, but also a balanced yet refreshing challenge to those who already feel at home in Scotland past and present.
Steaming into a Victorian Future by
A popular sub-genre of fantasy and science fiction, steampunk re-imagines the Victorian age in the future, and re-works its technology, fashion, and values with a dose of anti-modernism. While often considered solely through the lens of literature, steampunk is, in fact, a complex phenomenon that also affects, transforms, and unites a wide range of disciplines, such as art, music, film, television, fashion, new media, and material culture. In Steaming into a Victorian Future: A Steampunk Anthology, Julie Anne Taddeo and Cynthia J. Miller have assembled a collection of essays that consider the social and cultural aspects of this multi-faceted genre. The essays included in this volume examine various manifestations of steampunk--both separately and in relation to each other--in order to better understand the steampunk sub-culture and its effect on--and interrelationship with--popular culture and the wider society. This volume expands and extends existing scholarship on steampunk in order to explore many previously unconsidered questions about cultural creativity, social networking, fandom, appropriation, and the creation of meaning. With a foreword by popular culture scholar Ken Dvorak, and an afterword by steampunk expert Jeff VanderMeer, Steaming into a Victorian Future offers a wide ranging look at the impact of steampunk, as well as the individuals who create, interpret, and consume it.
Clockwork Rhetoric by
This unique book explores how the aesthetic and cultural movement "Steampunk" persuades audiences and wins new acolytes. Steampunk is an aesthetic style grounded in the Victorian era, in clothing and accoutrements modeled on a heightened and hyper-extended age of steam. In addition to its modeling of attire and other symbolic trappings, what is most distinctive is its adherents' use of a machined aesthetic based on steam engines and early electrical machinery: gears, pistons, shafts, wheels, induction motors, clockwork and so forth. The aesthetic was first articulated in literature in the works of Jules Verne and H. G. Wells. The American West later contributed images to the aesthetic--revolvers, locomotives, and rifles of the late nineteenth century. Among young people steampunk has found common aesthetic cause with Goth style. Examples from literature and popular culture include William Gibson's fiction, China Miéville's novels, the classic film Metropolis, and the BBC series Doctor Who. This volume recognizes that steampunk, a unique popular culture phenomenon, presents a prime opportunity for rhetorical criticism. Steampunk's art, style, and narratives convey complex social and political meanings. Chapters in Clockwork Rhetoric explore topics ranging from jewelry to Japanese anime to contemporary imperialism to fashion. Throughout, the book demonstrates how language influences consumers of steampunk to hold certain social and political attitudes and commitments.
Steampunk Style Jewelry by
This how-to jewelry-making book features the work of an array of invited jewelry designers influenced by the growing Steampunk trend. In Steampunk circles, jewelry-makers are often master metalsmiths who combine found objects with fine metals to create elaborate pieces. In "Steampunk-Style Jewelry," the projects focus on "no fire" techniques-like simple stringing, wirework, hammering, stamping, gluing, stitching, and off-loom beadwork-so that even a beginner can create pieces in the style. Each project provides a complete materials and tools list, step-by-step instructions, and clear illustrations. This book offers a broad overview of a growing design trend that is part of the literary, industrial design, fashion, and popular culture scene. Readers will learn about the art movement through the many photographic sidebars that explore the many aspects of the trend.
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